Grantmakers in the Arts

More foundations are choosing to operate within a limited lifespan. For The Atlantic Philanthropies, "the commitment in 2002 to close its doors by 2020 reflected founder Chuck Feeney’s Giving While Living approach to philanthropy and his desire for the foundation’s funds to achieve maximum impact within that time frame and beyond."

The Center for Cultural Innovation (CCI)'s AmbitioUS is an initiative designed to act as an experimental arm of the artist-support sector.

The Orontes Guitar Quartet are the first group to be brought together in a safe country, in this case, Canada, by the Artist Protection Fund (APF), the New York-based program that supports threatened artists around the world, reported The Globe and Mail.

A recent news article by Next City showcases the power of investing in the creative economy, focusing on Manhattan's La MaMa Experimental Theatre Club and its capital campaign.

The Andy Warhol Foundation for the Visual Arts announced the expansion of its Regional Regranting Program to Cleveland and Denver where it will be administered by the non-profit arts organizations SPACES and RedLine respectively. Baltimore’s program, The Grit Fund (TGF), will come back on line after a one-year hiatus under the new administration of Baltimore Arts Realty Corp (BARCO).

Michael Bloom, a Fargo, North Dakota-based police officer and rapper, has partnered with Alabama-based rap artist DPB on two music videos that feature the Fargo community and showcase what community policing and creativity can achieve.

The Kenneth Rainin Foundation announced it awarded $3.775 million in arts grants to ten organizations that support artists and the creative process.

In a recent blog post for the American Alliance of Museums, Elizabeth Merritt cites the US Census Bureau's projection that the US will be “majority minority” sometime in the 2040s to make the case “that museum audiences do a pretty good job of reflecting American society…in the year 1900.”