Diversity, Equity, and Inclusion

November 6, 2017 by admin
These remarks were presented by Rip Rapson, president, The Kresge Foundation, to the closing plenary of the 2017 GIA Conference in Detroit, Michigan, on October 31, 2017. Thank you, Eddie, for such a gracious introduction. Read More...
July 24, 2017 by admin
July 2017, 37 pages. Surdna Foundation, 330 Madison Avenue, 30th Floor, New York, NY 10017. (212) 557-0010. http://surdna.org. Download: Read More...
June 9, 2017 by admin
Recently, Caroline served on the jury of a government arts council. Among the forms she had to fill out were the standard nondiscrimination forms required of any vendor doing business in this city. It gave her pause, as one individual, to agree that her “firm” would not discriminate against “its employees” on the basis of “Race, color, creed, religion, national origin, ancestry, age, sex, sexual orientation, gender identity (transgender status), domestic partner status, marital status, disability, AIDS/HIV status, height, weight.” Read More...
March 8, 2017 by admin
The League of American Orchestras’ upcoming national conference in Detroit falls just days before the fiftieth anniversary of the 1967 Detroit uprising, the largest urban disruption in America since the Civil War. According to Detroit Symphony Orchestra (DSO) president Anne Parsons, the 1967 riot was the context for the orchestra’s fellowship program for African American musicians. Read More...
March 8, 2017 by admin
Story matters, and we are at a pivotal moment in which there is a growing understanding that narratives that move hearts and minds are critical. Those of us who work at the intersection of the arts and social justice have known this for some time — in the words of Jeff Chang, “cultural change precedes political change” — but it has become apparent to many others that without compelling storytelling, policy platforms do not stick. Read More...
October 8, 2016 by admin
Eleven years of retracing our family history had led me here to the March, but this long journey began with my mother, Lucille Dion Wilson. She was enrolled on the Rosebud reservation in South Dakota, where she grew up. Between the ages of ten and sixteen, she attended the Holy Rosary Mission School, a boarding school on the Pine Ridge reservation. After moving to Minneapolis, she eloped with Chuck Wilson, a tall Swede from central Minnesota, and raised five children in a white suburb. When I was growing up, she told me that she was done with “all that,” referring to her Indian heritage. Read More...
March 4, 2016 by admin
On June 2, 2015, Alternate ROOTS Executive Director, Carlton Turner, presented the following as a keynote address at the Grantmakers in the Arts Racial Equity Forum in Atlanta, Georgia. Introduction: Georgia Men “Black people did not come back from Georgia.” “A man or woman that had learned that they might be taken south might do anything.” “A man who had to see his son stand naked before buyers might do anything.” Read More...
March 3, 2016 by admin
Art is not magic; most artists are not all that different from other people. However, many of them developed a skill or asset that most of us haven’t: a fascination for the undercurrent in our society, in our social encounters, in our practices, in our organizations.  —  Jaap Warmenhoven, Stanford Social Innovation Review Read More...
March 3, 2016 by admin
Grantmakers in the Arts is committed to promoting racial equity in arts philanthropy and increasing support for Asian, Latino/a, African, Arab, and Native American (ALAANA) artists, arts organizations, and communities. Our statement of purpose for this work, published in March 2015, comes after five years of internal discussions, workshops, articles, and forums led by a small learning group consisting of social justice funders and those concerned with social justice. Read More...