GIA Blog

Posted on November 6, 2018 by Carmen Graciela Díaz

SOMA Pilipinas, San Francisco’s first Filipino cultural district in the city’s South of Market (SoMa) neighborhood, is meant to celebrate and preserve the Filipino-American community that has been in the neighborhood for over 100 years, reports Next City.

Posted on November 5, 2018 by Carmen Graciela Díaz

For The Benefit Of All: The CMA’s Diversity, Equity, And Inclusion Plan is the name of the 19-page report that came about after a nine-month period, in which the The Cleveland Museum of Art (CMA) facilitated in 2017 over 100 meetings with over 400 people in Cleveland.

Posted on November 2, 2018 by GIA News

As you may know from GIA’s previous webinar “New Horizons in Arts Education: The Student Support and Academic Enrichment program,” the Student Support and Academic Enrichment (SSAE) program, authorized under Title IV, Part-A of the Every Student Succeeds Act (ESSA) established flexible formula grants to support the following three areas of activities – well-rounded educational opportunities, which include the arts as defined by ESSA; safe and healthy students; and effective use of technology.

Posted on November 1, 2018 by Carmen Graciela Díaz

For the month of November, GIA’s photo banner features work supported by Memphis Music Initiative (MMI).

Posted on October 31, 2018 by Carmen Graciela Díaz

In a recent blog post, Phil Buchanan, president of the Center for Effective Philanthropy (CEP), reflected on the role of the Council on Foundations (COF) and how a strong voice for foundations is needed, in Washington and with the public, "to articulate the unique role of institutional philanthropy."

Posted on October 30, 2018 by Carmen Graciela Díaz

An article on the Federal Reserve Bank of San Francisco scans a research commissioned by ArtPlace America that had the goal of better understanding how arts and culture can help provide solutions to public health challenges that communities (especially low-income, immigrant, rural, indigenous, and communities of color) are facing across the United States.

Posted on October 29, 2018 by Carmen Graciela Díaz

LISC NYC, in partnership with Upstart Co-Lab, a national organization that connects impact investing to the creative economy, launched the NYC Inclusive Creative Economy Fund, "an opportunity for accredited investors to finance affordable, inclusive creative workspaces," states the press release.

Posted on October 27, 2018 by Nia King

Safer DIY Spaces has been trying to preserve infrastructure and hold space for community organizing since 2012. Part of the work is trying to buy buildings and part is trying to get orgs eligible to apply for grants. The event that was taking place at Ghost Ship the night of the fire had asked to use Omni Commons (which is up to code) as a venue, but they were rejected because the city had already tried to shut Omni down three times and Omni was worried about noise complaints from the neighbors and how long the show would go.

Posted on October 27, 2018 by Nia King

Peacock Rebellion is based out of the Liberate 23rd Ave building. They bring together queer and trans people of color to produce comedy, dance, and storytelling events based on themes such as the nonprofit industrial complex, healing, and fighting displacement. They utilize these cultural events to build community power, and try to mobilize and their audience and community members to fight for queer and trans people of color, particularly trans women and trans femmes of color. For example, when Peacock performer Davia Spain was arrested for defending herself, Peacock worked with TGI Justice Project to get her out of jail and have the charges dropped.

Posted on October 27, 2018 by Carmen Graciela Díaz

Nia King reports from the After Ghost Ship preconference at the 2018 GIA Conference in Oakland: