Cultural Policy
Creative placemaking is electrifying communities large and small around the country. Mayors, public agencies, and arts organizations are finding each other and committing to new initiatives. That’s a wonderful thing, whether or not their proposals are funded by national initiatives such as the National Endowment for the Arts’ Our Town program or ArtPlace.
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Read More...Edited by Doug Borwick. 2012, 372 pages, ArtsEngaged, Winston-Salem, NC
Read More...Since the Ford Foundation’s institutional stabilization programs of the 1960s, arts funders have explored and implemented initiatives intended to promote the sustainability of arts organizations. Funding approaches, programs, and special terminology have been developed in support of the arts’ economic and social contributions to society. Artists and arts organizations are evaluated on the basis of their fiscal prudence and community contributions as well as artistic merit.
Read More...This original work of theater, commissioned by Grantmakers in the Arts for the 58th Council on Foundations Conference, was presented at conference plenary sessions, Monday, April 30 and Tuesday, May 1, 2007. Directed by KJ Sanchez and written by KJ Sanchez, Emily Ackerman, Aysan Çelik, Darrick Clayton, Michael Place, and Amy Kim Waschke.
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Autopsy of an Orchestra (12.7Mb)
Grantmakers in the Arts and Melanie Beene are pleased to provide this republished digital edition of the seminal report, Autopsy of an Orchestra.
Read More...50 pages, July 2012. Houston Arts Alliance, 3201 Allen Parkway, Suite 250, Houston, TX 77019-1800, (713) 527-9330. http://www.houstonartsalliance.com.
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The Creative Economy of Houston (1.4Mb)
Funders, arts administrators, and other people trying their hand at creative placemaking (artists and more unlikely suspects) find their way to me. Because I coauthored Creative Placemaking, the 2010 white paper for the NEA’s Mayors’ Institute on City Design, I’m an authority, yet folks get through to me with a cold call or email, instead of waiting for an announced webinar from the National Endowment for the Arts or ArtPlace or trying to read between the lines of application guidelines.
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