Funding Research

February 28, 2011 by giarts-ts-admin

2011, 104 pages, National Endowment for the Arts, 1100 Pennsylvania Avenue NW, Washington, DC, 20506, http://www.nea.gov

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February 28, 2011 by giarts-ts-admin

2011, 104 pages, National Endowment for the Arts, 1100 Pennsylvania Avenue NW, Washington, DC, 20506, http://www.nea.gov

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January 11, 2011 by Abigail

2010, 547 pages, The Aspen Institute, One Dupont Circle NW, Ste 700, Washington, DC, 20036, 202-736-5800   www.aspeninstitute.org

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November 30, 2010 by Abigail

2010, 504 pages, The Aspen Institute, One Dupont Circle NW, Ste 700, Washington, DC, 20036, 202-736-5800   www.aspeninstitute.org

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October 27, 2010 by giarts-ts-admin

In 2003, the Ford Foundation launched Leveraging Investments in Creativity (LINC) with the publication of Investing in Creativity: A Study of Support Structure for U.S. Artists. Holly Sidford led the initial research and planning efforts, and then Sam Miller took over the running of LINC, designed as a ten-year nationwide initiative to improve conditions for artists working in all disciplines. Judilee Reed took over the reins in 2008.

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October 4, 2010 by giarts-ts-admin

In spring 2009, GIA commissioned Helicon Collaborative to provide an overview of the recession’s effects on arts funders. We interviewed twenty-two diverse funders and reviewed results of electronic surveys of arts funders conducted by GIA and New York Grantmakers in the Arts. The findings were published in the summer 2009 Reader.

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August 16, 2010 by giarts-ts-admin

2010, 43 pages, 79 Fifth Avenue, New York, NY 10003, (212) 620-4230, www.foundationcenter.org

Download Report Highlights pdf: foundationcenter.org/gainknowledge/research/pdf/fgt10highlights.pdf

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June 11, 2010 by giarts-ts-admin

Fearless Journeys: Innovation in Five American Orchestras is the report of a 2009 study, funded by MetLife Foundation, which explored and documented five examples of promising innovative practices in American orchestras. This is the first formal attempt to define and to understand the organizational factors that support innovation in orchestras.

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