Nia King reports from the After Ghost Ship preconference at the 2018 GIA Conference in Oakland:
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The After Ghost Ship panel was organized by Claudia Leung, outgoing senior program associate at the San Francisco Arts Commission. She began the panel by giving a shout out to Nadia Elokdah (Deputy Director at Grantmakers in the Arts) for all her hard work moving the conference at the last minute. The conference was originally set to take place at the Oakland Marriott, but since Marriott workers are on strike nation-wide, the conference had to be moved at the eleventh hour. Claudia then introduced the panelists: Katherin Canton of Oakland Creative Neighborhoods Coalition and Emerging Arts Professionals SF/Bay Area, David Keenan of DIY Safer Spaces, Devi Peacock of Peacock Rebellion and the Liberate 23rd Ave Collective, Eric Arnold of the Oakland Creative Neighborhoods Coalition and Black Arts Movement District Community Development Corporation and moderator, journalist Chris Zaldua.
My first GIA conference is over, and I am so glad for the opportunity to be part of this one, focused on Race, Space, and Place, taking place in my adopted hometown of Oakland, California. Overwhelmingly, what I’ve taken away is a sense of optimism and excitement at the new discovery (for me) of such a vibrant and dynamic world of arts and culture strategists, funders, creators, workers, wonks, and change agents committed to social justice. I’ve been poring over Oakland’s Cultural Development Plan in my spare time since the conference, and found its guiding vision to be so profound: Equity is the driving force. Culture is the frame. Belonging is the goal.
Today’s post focuses primarily on young people and the arts, and artists, with a little bit of, well, everything that’s inspiring me. First, I want to take a moment to share some sage advice I received at breakfast as I was making choices about what sessions to attend. There’s not always congruence between what I should attend based on the work I do, and what I may want to attend. In the end, I decide to lean into inspiration, trusting what moves me. I thank Dr. Anh Thang Dao-Shah (Senior Racial Equity and Policy Analyst, San Francisco Arts Commission) for reminding me to:
The preconference session on “Culture at the Intersection of Race, Space and Place” has my worlds colliding this Sunday morning in downtown Oakland. In the spirit of storytelling—as panelists Roberto Bedoya and Favianna Rodriguez modeled—I am both a longtime Oakland resident, a current local government employee (in the county public health department), and a prior chronicler of race, space and place as a journalist at ColorLines.com.
Lara Davis is an artist, arts administrator, and creative strategist working at the intersection of culture, public education, and social justice. She is the arts education manager for Seattle’s Office of Arts & Culture, and is part of the Visionary Justice StoryLab. Lara co-chairs A.R.E. (Artists for Racial Equity) Network, a National Guild for Community Arts Education network for artists and administrators of color and serves on the National Advisory Committee for the Teaching Artists Guild. She is a 2017-2018 Marshall Memorial Fellow, received the Guild’s 2017 Service Award, and is a 2015 recipient of the Americans for the Arts Emerging Leader Award.
Special Note: Due to the leadership change and transition from Seattle to New York City, the 29th Volume of the GIA Reader included two volumes instead of the standard three, however, Vol 29.2 is presented here as a special double issue.
On the Cover
Artist Titus Kaphar; Wu Tsang, filmmaker and performance artist; Becca Heller, human rights lawyer; William Barber Jr., pastor and activist, and Vijay Gupta, violinist and social-justice advocate, are among the 2018 MacArthur Foundation's 'Genius' fellows.
The largest philanthropic organization serving American Indians, the Native American Agriculture Fund (NAAF), was recently established from a landmark 2010 civil rights settlement in which the U.S. government agreed to pay for almost 20 years of official discrimination, reported The Washington Post.
The Andy Warhol Foundation for the Visual Arts announced it will award $3.6 million to 42 cultural organizations as part of its spring 2018 grant cycle.