GIA Reader, Vol 22, No 1 (Spring 2011) | Grantmakers in the Arts

Contact GIA Sign Up for GIA News & Updates Become A GIA Member

522 Courtlandt Avenue, 1st Floor, Bronx, NY 10451-5008 | (929) 452-3740 | gia@giarts.org

❮ ❯

GIA Reader, Vol 22, No 1 (Spring 2011)

Articles shown in gray are not yet available online, but are available in the print edition. Contact GIA to order copies of the Reader or submit this form to subscribe.

Contents of GIA Reader, Vol 22, No 1 (Spring 2011)

Readings

Common Practices Illustrated

by

Tommer Peterson, Anita Lehmann

Capitalization Principles in Practice

by

Why Do Balance Sheets Matter?

by

Rodney Christopher

Doing pulses (poem)

by

by Roberto Bedoya

Breaking Out of a Bifurcated World

by

Toward a Twenty-First-Century Strategy for Grantmakers

by

Imagining New Ways to Support Arts and Culture

by

Lessons of War: 1. Naming of Parts

by

A Generosity of Spirit: Characteristics of an Effective Peer Panel

by

Julie Gordon Dalgleish

A Good Economist Knows the True Value of the Arts

by

Please, Don't Start a Theater Company!: Next-Generation Arts Institutions and Alternative Career Paths

by

Book Review

Beth Kanter and Allison H. Fine: The Networked Nonprofit: Connecting with Social Media to Drive Change

by

Allison H. Fine, Beth Kanter, Fidelma McGinn

Jennifer Aaker and Andy Smith:The Dragonfly Effect: Quick, Effective, and Powerful Ways to Use Social Media to Drive Social Change

by

Andy Smith, Jennifer Aaker, Lila Hurwitz

Explore Solidarity Not Charity: Arts & Culture Grantmaking in the Solidarity Economy, a rapid report prepared for Grantmakers in the Arts.

Video from the GIA 2020 Virtual Convening are now available for streaming.

Developing a Liberatory Consciousness in Funding

In this podcast we’re glad to have Dr. Barbara J. Love, consultant, author, lecturer, and the founder of the framework Liberatory Conscious joining us. She will discuss how to develop a Liberatory Consciousness mindset that can lead us to more drastic change both within our institutions and outside of them.