Philanthropic practice

PLAYWRIGHT:

In recent years the United States has developed into an increasingly pronounced class society. We see it in the growing inequality of income and wealth; we witness it in the expansion of corporate power and influence at a time when blue-collar job status is on the decline; and we view it in the daily depiction of our lives on our television screens.

There is no doubt that the face of art and culture in the United States is changing.

October 2011, 32 pages. Monitor Institute, 101 Market Street, Suite 1000, San Francisco, CA, 94101, (415) 932-5300 www.monitorinstitute.com.

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   Fusing Arts, Culture and Social Change (3.6Mb)

2011, 37 pages. Center for Cultural Innovation, 870 Market Street, Suite 574, San Francisco, California, 94102, (877) 482-0530, www.cciarts.org.

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Volume 1, Findings: Overview of the Field, 504 pages; Volume 2, Considerations in Foundation Practice, 547 pages; 2010, Aspen Institute, Washington, DC

2011, 257 pages, PublicAffairs, New York, NY

2011, 16 pages, Oregon Arts Commission, 775 Summer Street NE, Ste 200, Salem, Oregon, 97301, (503) 986-0082, www.oregonartscommission.org

I was twenty-three when I arrived in San Francisco, fresh from assistant-directing at the Royal Court in London and eager to start my theater career. I was brimming over with enthusiasm, and maybe just a little hubris. Shortly thereafter, I founded Crowded Fire Theater Company and was full of plans for it to quickly become the next major regional theater.