Public Policy & Advocacy

Grantmakers in the Arts holds public policy and advocacy as one of its core funding focus areas and believes one of the most important roles we can serve in benefitting our members and the arts grantmaking community – maximizing the impact our sector can have toward increasing access to the arts and realizing racial justice through the arts – comes by way of our public policy and advocacy work. In GIA’s vision for the future, foundations have shifted their foci to increasingly include advocacy and public sector policy and practice.

As part of realizing this vision, we provide programs to teach our members about advocacy and lobbying, the difference between the two, and how grantmakers can support both. GIA advocates for lifelong learning through the arts from early childhood through K-12 and into senior years. Knowing that the arts and arts education cannot be provided without artists, we necessarily advocate for economic justice for artists and other workers.

We are committed to invigorate funding and support for arts education within federal policy, and defend that every resident has access to the arts as part of well-rounded, life-long education. Over the past several years, raising the visibility of the arts in the Elementary and Secondary Education Act (ESEA) in its legislative form. GIA and Penn Hill Group continue these advocacy efforts around the Every Student Succeeds Act (ESSA), guiding GIA members and their grantees in advocating for new or expanded arts programs at their local schools and districts. Organized since 2012, GIA’s Arts Education Funders Coalition (AEFC) has worked to address identified needs in comprehensive arts education and to strengthen communication and networking among arts education funders.

The AEFC includes members from Americans for the Arts, Arts Education Partnership, Center for Cultural Innovation, The George Gund Foundation, The Heinz Endowments, The William & Flora Hewlett Foundation, and Wallace Foundation, among others. Advised by a committee of Coalition members, GIA engaged the services of Washington, D.C.-based Penn Hill Group, a firm with education policy expertise and experience working with diverse education groups to research, develop, and promote educational policy strategies.

Most recently, GIA worked with Representative Suzanne Bonamici (D-OR) on the development of the Arts Education for All Act, the broadest arts education policy bill ever introduced in Congress. In Spring 2021, GIA influenced the U.S. Department of Education to highlight the importance of equitable access to arts and culture when determining how to reopen schools. Additionally, GIA emphasized the need to make explicit how this access was racialized prior to the pandemic. Addressing this inequity was essential to effective reopening and remains essential to the adequate provision of comprehensive, well-rounded education.

GIA advocates and lobbies for lifelong learning. GIA is delighted that, in 2020, Congress passed the Supporting Older Americans Act including our recommendations that the Administration on Aging include the arts in the issues to be identified and addressed and be included among supportive services for older Americans.

GIA continues to advocate and lobby for economic justice for workers, including artists. GIA has successfully lobbied to include arts-related provisions in the Child Care for Working Families Act, which proposes to better help low-income families pay for childcare and expand high-quality state preschool options. GIA advocated for AmeriCorps to make national volunteer service more accessible by offering an increase in living allowances. We have also called for arts grantmakers to advocate for portable benefits for workers and has released a call for our stakeholders to endorse the Portable Benefits for Independent Workers Pilot Program Act. GIA advocates for changing public policies to allow people with disabilities, including artists, to secure greater resources for their work without being rendered ineligible for public supports and is endorsing the re-introduced SSI Savings Penalty Elimination Act. The bill raises the limits on assets people with disabilities can hold before being disqualified from public benefits while also indexing those limits to inflation.

GIA is realizing our vision is through the GIA Cultural Policy Learning Series and Action Lab, which focuses on such issues as racial equity & transformational practice in the public sector, translating between sectors and planning toward action.

GIA is eager to continue informing the field’s support for advocacy, to advocate for national policies that enhance lifelong access to the transformative power of arts and culture that create economic justice for artists and other workers.

May 23, 2012 by giarts-ts-admin

52 pages, May 2012. National Governors Association, NGA Center for Best Practices, 444 N. Capitol Street, Suite 267, Washington, DC 20001, (202) 624-5300, www.nga.org/center.

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   New Engines of Growth (3.3Mb)

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March 23, 2012 by giarts-ts-admin

44 pages, March 2012. The Education Policy and Leadership Center, 800 North Third Street, Suite 408, Harrisburg, PA, 17102, (717) 260-9900, www.aei-pa.org.

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January 12, 2012 by giarts-ts-admin

January 2012, 112 pages. W.K. Kellogg Foundation, One Michigan Avenue East, Battle Creek, MI 49017-4012, (269) 968-1611, www.wkkf.org

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December 13, 2011 by giarts-ts-admin
The following speech was delivered by Diane Ravitch on December 9, 2011, at the National Opportunity to Learn Summit.

My theme for today: Whose children have been left behind?

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November 14, 2011 by giarts-ts-admin
This is an excerpt from a longer version published by the National Alliance for Media Art and Culture
OSHUN: Word
UBU ROI: Ditto
HE’-E-TLIK: Strike!
ROBERTO: OK, OK, OK!
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September 20, 2011 by giarts-ts-admin

2011, 34 pages. Alliance for Justice, 11 Dupont Circle NW, 2nd Floor, Washington, DC, 20036, (202) 822-6070, http://www.afj.org.

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August 8, 2011 by giarts-ts-admin

May 28, 2011

Today more than ever, states that want to be competitive need a policy agenda that supports and nurtures the creativity and economic productivity of their citizens. With his veto of funding for the Kansas Arts Commission, Governor Sam Brownback has now declared his opinion that Kansas is too poor for that. The real poverty expressed in this action is not of the pocketbook; state arts agencies yield excellent return on investment in jobs and tax revenues.

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August 8, 2011 by giarts-ts-admin
This article, reprinted from British quarterly Research in Drama Education: The Journal of Applied Theatre and Performance, chronicles the multiple unintended effects of policy decisions at the NEA on the democratic arts movement. At the time of this publication we are seeing significant decreases in arts and cultural funding at the local and state level, and continuing movement toward the elimination of public arts funding agencies across the country.
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