Public Policy & Advocacy

Grantmakers in the Arts holds public policy and advocacy as one of its core funding focus areas and believes one of the most important roles we can serve in benefitting our members and the arts grantmaking community – maximizing the impact our sector can have toward increasing access to the arts and realizing racial justice through the arts – comes by way of our public policy and advocacy work. In GIA’s vision for the future, foundations have shifted their foci to increasingly include advocacy and public sector policy and practice.

As part of realizing this vision, we provide programs to teach our members about advocacy and lobbying, the difference between the two, and how grantmakers can support both. GIA advocates for lifelong learning through the arts from early childhood through K-12 and into senior years. Knowing that the arts and arts education cannot be provided without artists, we necessarily advocate for economic justice for artists and other workers.

We are committed to invigorate funding and support for arts education within federal policy, and defend that every resident has access to the arts as part of well-rounded, life-long education. Over the past several years, raising the visibility of the arts in the Elementary and Secondary Education Act (ESEA) in its legislative form. GIA and Penn Hill Group continue these advocacy efforts around the Every Student Succeeds Act (ESSA), guiding GIA members and their grantees in advocating for new or expanded arts programs at their local schools and districts. Organized since 2012, GIA’s Arts Education Funders Coalition (AEFC) has worked to address identified needs in comprehensive arts education and to strengthen communication and networking among arts education funders.

The AEFC includes members from Americans for the Arts, Arts Education Partnership, Center for Cultural Innovation, The George Gund Foundation, The Heinz Endowments, The William & Flora Hewlett Foundation, and Wallace Foundation, among others. Advised by a committee of Coalition members, GIA engaged the services of Washington, D.C.-based Penn Hill Group, a firm with education policy expertise and experience working with diverse education groups to research, develop, and promote educational policy strategies.

Most recently, GIA worked with Representative Suzanne Bonamici (D-OR) on the development of the Arts Education for All Act, the broadest arts education policy bill ever introduced in Congress. In Spring 2021, GIA influenced the U.S. Department of Education to highlight the importance of equitable access to arts and culture when determining how to reopen schools. Additionally, GIA emphasized the need to make explicit how this access was racialized prior to the pandemic. Addressing this inequity was essential to effective reopening and remains essential to the adequate provision of comprehensive, well-rounded education.

GIA advocates and lobbies for lifelong learning. GIA is delighted that, in 2020, Congress passed the Supporting Older Americans Act including our recommendations that the Administration on Aging include the arts in the issues to be identified and addressed and be included among supportive services for older Americans.

GIA continues to advocate and lobby for economic justice for workers, including artists. GIA has successfully lobbied to include arts-related provisions in the Child Care for Working Families Act, which proposes to better help low-income families pay for childcare and expand high-quality state preschool options. GIA advocated for AmeriCorps to make national volunteer service more accessible by offering an increase in living allowances. We have also called for arts grantmakers to advocate for portable benefits for workers and has released a call for our stakeholders to endorse the Portable Benefits for Independent Workers Pilot Program Act. GIA advocates for changing public policies to allow people with disabilities, including artists, to secure greater resources for their work without being rendered ineligible for public supports and is endorsing the re-introduced SSI Savings Penalty Elimination Act. The bill raises the limits on assets people with disabilities can hold before being disqualified from public benefits while also indexing those limits to inflation.

GIA is realizing our vision is through the GIA Cultural Policy Learning Series and Action Lab, which focuses on such issues as racial equity & transformational practice in the public sector, translating between sectors and planning toward action.

GIA is eager to continue informing the field’s support for advocacy, to advocate for national policies that enhance lifelong access to the transformative power of arts and culture that create economic justice for artists and other workers.

February 28, 2014 by giarts-ts-admin
GIA is pleased to republish this State Arts Agency Fact Sheet: Support for Individual Artists, originally developed by the National Assembly of State Arts Agencies (NASAA.) We look forward to the day when we’ll have this kind of data on support for individual artists from private philanthropy as well.
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December 17, 2013 by giarts-ts-admin

December 2013, 28 pages. The Center on Philanthropy and Public Policy, Sol Price School of Public Policy, University of Southern California, Lewis Hall 210, Los Angeles, CA 90089-0626, (213) 740-9492, http://cppp.usc.edu

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September 16, 2013 by giarts-ts-admin

Arlene Goldbard. 2013, 185 pages, Waterlight Press

The Wave

Arlene Goldbard. 2013, 129 pages, Waterlight Press

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June 17, 2013 by giarts-ts-admin

Bill Ivey. 2012, 192 pages, Counterpoint.

In his new book we learn about many of the things Bill Ivey doesn’t like:

  • banner ads
  • smart phones
  • the $6 billion yoga industry
  • politicians who hide behind polling
  • cable news
  • $4,000 mountain bikes
  • TV in general; cooking shows in particular

And we learn about some of the things Bill Ivey does like:

  • Leica cameras
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June 17, 2013 by giarts-ts-admin

Grantmakers in the Arts began its work to enhance the arts in federal education policy in 2012 when it created the Arts Education Funders Coalition, an interest group within GIA that is open to funders with an arts education passion and portfolio, whether they are members of GIA or not. Led by a small advisory committee, we contracted with Penn Hill Group, a Washington, D.C., policy and lobbying firm with expertise in education.

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June 14, 2013 by giarts-ts-admin

Every decade or two, the professions of architecture and city planning are captivated by a movement with a particularly catchy name. Currently, the popular term is placemaking — a fairly loose term that is running neck and neck with “sustainability.” Within the design professions, this movement — really more a philosophy — suggests that people’s lives can be made better by intentionally designing interior and exterior spaces to embrace a wide range of users, provide for safety, and create artful expressions that endure over time.

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June 6, 2013 by giarts-ts-admin

June 2013, 68 pages. National Center on Time & Learning, 24 School Street, 3rd floor, Boston, MA 02108, (617) 378-3940, www.timeandlearning.org.

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September 28, 2012 by giarts-ts-admin
The following is an excerpt from the introduction to the book Not Here, Not Now, Not That! Protest over Art and Culture in America.
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July 6, 2012 by giarts-ts-admin

As the policy landscape changes, and dedicated federal funding streams become a thing of the past, Grantmakers in the Arts, through the Arts Education Funders Coalition, is looking toward the future to identify policy opportunities to promote equitable access to arts education in public schools. An essential question for this work is how to utilize and enhance existing federal education resources to include a systemic focus on arts education that benefits state and local programs.

The Problem and the Necessity of Action

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June 21, 2012 by giarts-ts-admin
This article is a reprinting of a blog originally posted on HowlRound. See that post at http://www.howlround.com/nourishing-the-commons-rethinking-intellectual-property-by-isaac-butler/.
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