Support for Individual Artists

"Last year, Charlotte city government, business executives, and The Foundation For The Carolinas developed a plan aimed at boosting arts funding," reported Erik Spanberg in the Charlotte Business Journal. "It included the addition of an arts and culture officer — Priya Sircar, hired last summer — and the creation of an 18-member advisory board made up of arts, civic, and philanthropic leaders." $4.4 million remain uncommitted from this inaugural grantmaking period, and as organizations and communities face increased challenges due to the Covid-19 Omicron variant, the advisory board are opening new possibilties for how it could be allocated.

This is part two of a two-part series on individual artist support written by Marc Zegans and published by GIA. In follow-up to his GIA Reader article from 2017, Zegans offers his perspective on the cycle of creative growth that artists experience throughout their careers and opportunities for grantmakers to re-examine how they develop and adjust their practices to meet nonlinear needs.

This is the first part of a two-part series on individual artist support written by Marc Zegans and published by GIA. Following-up to his GIA Reader article from 2017, Zegans offers his perspective on the cycle of creative growth that artists experience throughout their careers, and opportunities for grantmakers to re-examine how they develop and adjust their practices to meet nonlinear needs.

Millennials live differently than previous generations of Americans. We stay single longer. More of us have student debt and are self-employed, freelancers, and members of the growing gig economy. According to Randstad’s research on the workplace, more than half of Americans will be self-employed by 2025. More than 40% of gig workers will be millennials, a figure that will likely grow given the size of the generation and its youth. Millennials are the largest demographic in American history. We are the future.

"How can we support artists across the country, keeping in mind that each community presents a unique set of circumstances? The answer is simple, yet often overlooked: we do it together."

Consider downloading RE-Tool so you can follow along as you read this article. Many of the topics in this article refer directly to RE-Tool, including specific page references.

Creative Capital has invited 12 arts writers to explore key moments in the history of the Creative Capital Award in celebration of the nonprofit's 20th anniversary. The Los Angeles Review of Books in collaboration with Creative Capital has begun publishing 12 essays over 12 months on issues facing contemporary art in the United States, as the magazine states.

A cultural nonprofit that supports visual artists in Chicago, Threewalls, announced that it will award $900,000 to artists who identify as African, Latine, Asian, Arab, and Native American (ALAANA), according to Artforum. The initiative was launched after Threewalls received $1.2 million from the Surdna Foundation.

The Arts and Activism (A&A) ColLABoration, a pilot project funded jointly by The CrossCurrents and Compton Foundations to support the work of artists in partnership with organizers and activist organizations, announced five projects that were awarded $30,000 to engage in arts-integrated organizing through themes of democracy, power, and freedom in the United States.

Boots Riley, the Oakland filmmaker, musician, and activist who wrote and directed the satire Sorry to Bother You believes in making art "that makes people understand that they have the power to change things…that’s what you can do with narrative.”