Recently, five emerging Native filmmakers from tribal nations of the Pacific Northwest recorded Native elders, scientists, educators, and cultural leaders addressing climate change and how it was affecting their specific tribes. Ken Wilbur, elder with the Wasco Tribe, explained that climate is changing all over this great earth; the “Salmon People” are not coming back to the rivers. When he was a boy, it was common to catch a hundred salmon a day before 8:00 a.m.; now he fishes all day and is lucky to get five or six.
Search
The GIA Library is an information hub that includes articles, research reports, and other materials covering a wide variety of topics relevant to the arts and arts funding. These resources are made available free to members and non-members of GIA. Users can search by keyword or browse by category for materials to use in research and self-directed learning. Current arts philanthropy news items are available separately in our news feed - News from the Field.
The new Arts & Culture Leaders of Color Fellowship, launched by Americans for the Arts, The Joyce Foundation, and American Express Foundation, introduced recently its first 12 fellows. The fellowship is a one-year professional development program for emerging and mid-career arts leaders of color across arts disciplines in the Great Lakes region.
In Building Stronger Communities Through Media: Innovations in local journalism, public media, and storytelling, Wyncote Foundation's new report, innovative local and regional media projects are highlighted for making a difference in local communities with local support, as one of the report's authors, Sarah Lutman, writes in Medium.
The International Association of Blacks in Dance (IABD), a Mellon Foundation grantee through its Comprehensive Organizational Health Initiative, is key in "ensuring that a rich legacy of dance in America—and around the world—is preserved and continues to grow," as the foundation writes in its blog.
Successful cultural organizations masterfully manage contributed and earned income. This income mix can include corporate grants, endowment income, foundation grants, government grants, individual donations, membership fees, ticket sales, and unrelated business income (National Endowment for the Arts 2012). Although Alicia Schatteman and Ben Bingle (2017) have suggested that government funding is the most stable of these sources of income, foundations have played a significant role in the development of the US cultural sector (Renz 1994; Negley 2017).
Having worked with panels since my first job in philanthropy at the National Endowment for the Arts, thirty years ago, I am always interested in learning more about how to make the panel system better. Discussions about process, scoring systems, panel adjudication methods, conflict of interest, panel recruitment, multistep review processes, criteria, and more are infinitely fascinating to me and at the heart of improving our own work at the Jerome Foundation.
As a society and country, we continue to struggle with the legacy of racism and the structural barriers that have been created to privilege some while oppressing others. Building racial equity and social justice takes dedication, inspiration, honesty, and a willingness to admit and learn from our failures. There are no foolproof guides or programs, nor one right path to achieving racial equity. It becomes a daily practice to question norms and work to make change.
.intersections {
display: grid;
grid-template-columns: repeat(auto-fit, minmax(min(186px, 100%), 1fr));
gap: 1em;
}
.intersections-item img {
width: 100%;
border:1px solid #aaaaaa;
}
.intersections-item p {
display: none;
font-size: 94%;
margin: .35em 0;
}
