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The Zellerbach Family Foundation is thrilled to welcome Chibueze Crouch as its first Community Arts Fellow. An Igbo-American artist & writer, Chibueze Crouch (they/she) performs and creates immersive, experimental live art spanning ritual theater, song, movement, video, and text. 

March 2021, 121 pages. Grantmakers in the Arts, 522 Courtlandt Avenue, 1st Floor, Bronx, NY 10451.https://art.coop/.

It started in Fall 2016, when Staten Island Arts — the local arts council for the fifth borough of New York City — was approached by Kerry McCarthy and Michele Kumi Baer of The New York Community Trust, Betsy Dubovsky and Laura Jean Watters of The Staten Island Foundation, and Karen Rosa of the Altman Foundation. This group of concerned funders had observed that Staten Island’s arts programming audiences weren’t racially diverse, and came to us seeking to partner on a program that would thoughtfully address the issue.

As New York City was bracing for weeks on end in the midst of the novel coronavirus pandemic, wreaking devastation throughout the city and a wake of still unaccounted trauma, we turned to our communities for support, for understanding, for validation and guidance to navigate our way through quarantine into a future that looks and feels very different. And, creativity was core to this.

It’s Friday night. A Netflix subscriber is sitting on their couch, scrolling through an endless feed of entertainment options. They pass by the next episode of Stranger Things, skip over the Marvel movies, shrug at Friday Night Lights. Finally, they land on the latest environmental documentary film release. They grab their blanket and popcorn and eagerly press play.

Adults age sixty-five and above are currently the fastest-growing segment of the US population. In 2016, there were 47.8 million individuals age sixty-five and over in the United States (US Census Bureau 2017), and this number is expected to more than double by 2060. By 2040, nearly half of older adults are expected to come from diverse racial/ethnic and socioeconomic backgrounds (Vincent and Velkoff 2010; Johnson, Rodriquez-Salazar, et al. 2018). San Francisco’s population of older adults is higher than the national norm.

The Uncertainty of Place

When tasked with presenting the dynamic and multiscalar ecosystem of arts and culture in the Bay Area, the Grantmakers in the Arts team knew that we needed to call upon those engaging deeply with the forces effecting change. Given the evolving nature of space availability, access, and affordability in cities, any system of disruption will, by design, engage a diversity of stakeholders and intervene at multiple levels. From the strongly held position that the arts drive strong, vibrant, diverse communities, Community Arts Stabilization Trust (CAST) exemplifies one such model.

Today, Regina’s Door in Oakland serves as a healing artistic space for survivors of sex trafficking, as well as a launching pad for theatrical productions featuring the stories and performances of survivors. Its start came in 2014, when Regina Evans decided she needed to do something to help her community. “We have young girls being brutalized every day. In Oakland trafficking is very hidden, but if you go down International Boulevard, you also see very young girls — twelve, thirteen, fourteen years old, and you know they’re being raped,” she said.

As arts funders, we know that extensive research has shown that the presence of arts and culture activities at the neighborhood level can improve health and safety and promote a sense of well-being among residents. But how do we identify what activities already exist in a community and, as important, where there are gaps so we can be proactive in advancing a community’s livability?