To a Resilient New York

Notes from Quarantine

As New York City was bracing for weeks on end in the midst of the novel coronavirus pandemic, wreaking devastation throughout the city and a wake of still unaccounted trauma, we turned to our communities for support, for understanding, for validation and guidance to navigate our way through quarantine into a future that looks and feels very different. And, creativity was core to this.

For both palliative care and resilient visions, artists and writers speak into the spaces we do not yet know how to process. Captured here in the following pages, and spread throughout this issue, collective poems for mourning and healing are shared as a marker of this time and place and a reminder of the resilience we can manifest, despite great tragedy. We offer these poems as a respite and reminder. We share deep gratitude to each of the contributing artists and writers, and to Diya Vij and the High Line’s Public Programs for this thoughtful curation.

Using a surrealist tradition, the High Line invited five artists or writers to start an exquisite assemblage poem based on the theme of interdependence — how our lives are intimately intertwined and mutually reliant on one another. They were asked to respond in 20 words or less. They then told us another artist or writer to invite to continue the sequence for three rounds total: a beginning, middle, and end. The result is five poems by 19 artists. Because each of the participants were unaware of the other collaborators’ contributions, the poems often contain surprising connections.

To a Resilient New York: Notes from Quarantine

Time’s passing
there’s dust, crumbs of lavender kush,
a new meaning of perfume—
to wear places I never knew.

Stop being so perfect, I tell you,
but blissfully, you never listen.
Why don’t I count your words?

I like to think I’m



when I twist my neck I need you
to wash my back.

To a Resilient New York: Notes from Quarantine

as in
whatever it is     that is considered
- idi -
reciprocity     this     interconnectedn
go easy
as in

sp spee speed speeding
species to star too close to dust
dust ash to ash
how do you like your first world now?

This time’s not mine, it’s ours. Hours inside
strange days are here, &
long, longing, gone, growing, growing, stranger.

To a Resilient New York: Notes from Quarantine

A queer migrant definition:
We are both the moon and wind’s impact to ocean tide
Highs and lows      kindred waves of tender and care

Building ecosystems out of the unknown
Across lands     Across   the digital world
We’ve been here before       in one breath

and so we breathe      in
the reality of our moment &
breathe      out the anxieties
of empire as we hold one another
like our elders taught us because
this,      this is how we conjure.

we        un-alone.

rub oil         ’round
the lip       of the altar
candle.     open we mouth
guides ;   lovers    kin

a      chorus      enfolds.

To a Resilient New York: Notes from Quarantine

I don’t know how the first chain was made–
but I know how it got its color.

And to share space with you,
means that God did listen;
Together we’ll always be the light
and the remedy.

stretch your hands,
those sepals of a planet—
to give or to receive

each of us, will do both—

To a Resilient New York: Notes from Quarantine

1866: They laid the ties, drove the spikes
in the rails over the Sierra Nevada
Celestials from heaven’s empire


another view we have
in common. I pour out
rice like spirits throwing
the doo r of a dying day.

Still, your hands awaken.
Two insistent ghosts
hooking the rain, its hush,
over my quarantined ears.
Like this, like masks.

To a Resilient New York: Notes from Quarantine
Finding Balance, Finding Warmth

Hold on:
his cold hand
warming against
my fingertips
and me
leaning into
his steady bulk

We deeply know

We rely on others
They rely on us

A piece disconnected is opaque
The whole is clarifying

clarity is articulating what you need
and how you can support.
in order to draw lines and circles
to w-e-a-v-e connections
as tender and real as the
marked across your skin.

Artist & Writer Bios

Timothy DuWhite is a Black, queer, poz-writer/artist based out of Brooklyn, NY. A majority of his work circles around the intersections of state and body, state and love, and state and mind. All Timothy desires is a different/newer world and believes the written word is one tool that could be used towards achieving that goal.

Ashley August is an Afro Latina actress, author, playwright, activist, teaching artist, social media strategist, touring spoken word artist, third-ranked woman poet in the world, hip-hop junkie, ASTEP at Juilliard fellow, NYC’s 2013 Youth Poet Laureate, and was recently named one of the New York Times’ “30 Under 30 Most Influential People.”

Along with multiple television/film appearances and country-wide theatrical and poetic performances, her credits include SundanceTV, Cannes Film Festival, Netflix, Al Jazeera America, the GAP, HBO, and Netflix. She is the former curator and slam master of the legendary Bowery Poetry Club. With Belize and Brooklyn embedded into her (he)art, August is motivated to speak the unsaid truth and push the boundaries of media, the written word, and performance to realms they’ve yet to live in.

Ramya Ramana is an Indian American poet and New York native who has performed at over 200 venues in one year as the Youth Poet Laureate of NYC and was mentioned in the New York Times, Wall Street Journal, Brown Girl Magazine, and many more. Ramana released her first manuscript, Don’t Drown Her in the Baptism, a collection of poems exploring femininity, faith, and race. As a first-generation Indian American, Ramana’s work illustrates both the immigrant experience and exploring existentialism. Ramana is currently receiving her MFA in poetry at The New School.

Nicole Wallace is the author of WAASAMOWIN (IMP, October 2019) and was a 2019 Poets House Emerging Poets Fellow. She is the managing director of the Poetry Project and a member of the Indigenous Kinship Collective. Recent work can be read in print in Survivance: Indigenous Poesis Vol. IV Zine and online at A Gathering of The Tribes, LitHub, and A Perfect Vacuum. Originally from Gakaabikaang, located in what is currently called Minnesota, she is of settler/European ancestry and a descendent of the Fond du Lac Band of Lake Superior Chippewa (Ojibwe).

Marwa Helal is a poet and journalist. She is the author of Invasive species (Nightboat Books, 2019) and winner of BOMB Magazine’s Biennial 2016 Poetry Contest. She has been awarded fellowships from Poets House, Brooklyn Poets, Cave Canem, and is a Jerome Hill Artist Fellow. Helal has presented her work at the Museum of Modern Art (MoMA), the Studio Museum in Harlem, and the Brooklyn Museum. Born in Al Mansurah, Egypt, Helal currently lives and teaches in Brooklyn, New York. She received her MFA in creative nonfiction from The New School and her BA in journalism and international studies from Ohio Wesleyan University. More at

Jan-Henry Gray’s first book, Documents (BOA Editions, Ltd. 2019), was chosen by D.A. Powell as the winner of BOA Editions’ 2018 Poulin Poetry Prize. Jan is a Kundiman fellow and a visiting assistant professor at Adelphi University. Born in the Philippines, he grew up in San Francisco and currently lives in Brooklyn.

Tanaïs (née Tanwi Nandini Islam) is the author of the novel Bright Lines (Penguin, 2015), which was a finalist for the Center for Fiction First Novel Prize, the Edmund White Debut Fiction Award, the Brooklyn Eagles Literary Prize. They are the founder of the independent beauty and fragrance house Hi Wildflower, and their forthcoming essay collection, In Sensorium (HMH 2021), explores scent, sensuality, South Asian and Muslim perfume cultures, and the environmental and border crises around the world.

Tarfia Faizullah is the author of two poetry collections, Registers of Illuminated Villages (Graywolf, 2018) and Seam (SIU, 2014). The recipient of a Fulbright fellowship, three Pushcart prizes, and other honors, Tarfia has been featured in periodicals, magazines, and anthologies both here and abroad. Tarfia presents work at institutions and organizations worldwide, and collaborations include photographers, producers, composers, filmmakers, musicians, and visual artists, resulting in several interdisciplinary projects, including an EP, Eat More Mango. In 2016, Tarfia was recognized by Harvard Law School as one of 50 Women Inspiring Change. Tarfia is a 2019 United States Artists Fellow.

Shayok Misha Chowdhury is a queer Bengali writer, director, and performance-maker based in Brooklyn. Recent/upcoming projects: MukhAgni (Under the Radar @ The Public Theater) with Kameron Neal; How the White Girl Got Her Spots and Other 90s Trivia (Joe’s Pub & Ars Nova) with Laura Grill Jaye; Rheology (HERE Arts Center); Antioch Mass (The Shed) with Troy Anthony; SPEECH (BRIC & Philly Fringe) with Lightning Rod Special; and Rasgos Asiaticos (Soho Rep) with Virginia Grise. Misha has also made work at New York Theatre Workshop, The Flea, SPACE on Ryder Farm, New Orleans Film Festival, Deepwater Literary Festival, Vox Populi, and the Hemispheric Institute for Performance and Politics. A recipient of fellowships from Fulbright, Kundiman, and the Provincetown Fine Arts Work Center, Misha’s poetry has been published in The Cincinnati Review, TriQuarterly, Hayden’s Ferry Review, Portland Review, Asian American Literary Review, and elsewhere. He has been a visiting artist at Stanford, Brown University, CalArts, Fordham University, Syracuse University, and Williams College. Misha received an MFA from Columbia University.

Sonia Guiñansaca is an international award-winning queer migrant poet, cultural organizer, and social justice activist. They emerged as a national leader in the migrant artistic and political communities where they coordinated and participated in groundbreaking civil disobedience actions. Guiñansaca co-founded some of the largest undocumented organizations in the US, including some of the first artistic projects by and for undocumented writers and artists. Guiñansaca has worked for over a decade in both policy and cultural efforts to build equitable infrastructures for migrant artists. They have been awarded residencies and fellowships from Voices of Our Nation Arts Foundation, the Poetry Foundation, the British Council, and the Hemispheric Institute for Performance and Politics. Guiñansaca has performed at the Met, the Public Theater, Lehmann Maupin Gallery, and has been featured on PEN American, Interview, Ms, Teen Vogue, DIVA, and PBS, to name a few. Guiñansaca self-published Nostalgia and Borders in 2016, and in 2020 is releasing #PapiFemme and launching Alegria Press, a publishing house for undocumented writers. Twitter/IG: @TheSoniaG.

Alan Paez is an Afro Indigenous poet and installation and adornment artist from Oaxaca, México. They live in Oakland, CA and on the internet as @MigrantScribble.

Ra Malika Imhotep is a Black feminist writer and performance artist from Atlanta, Georgia, currently pursuing a doctoral degree in African Diaspora Studies at the University of California, Berkeley. Her intellectual and creative work tends to the relationships between queer articulations of Black femininity, vernacular culture, and the performance of labor in The Dirty South. She is co-convener of The Church of Black Feminist Thought, an embodied spiritual-political education project, and a member of the curatorial collective The Black Aesthetic. She is the 2019 recipient of the Toni Beauchamp Prize in Critical Art Writing.

Jen Lue is a Kundiman fellow and a 2018–19 Margins Fellow at Asian American Writers’ Workshop.

Yanyi is a writer and critic. He is the author of Dream of the Divided Field (One World, Random House, forthcoming 2022) and The Year of Blue Water (Yale University Press, 2019), winner of the 2018 Yale Series of Younger Poets Prize. His work has been featured in NPR’s All Things Considered, Tin House, Granta, and A Public Space, and he is the recipient of fellowships from Asian American Writers’ Workshop and Poets House. Currently, he is poetry editor at Foundry and a poetry review editor at Public Books. Find him at

JinJin Xu is a writer and filmmaker from Shanghai. Her poetry and nonfiction essays have been published in The Common, Women Studies Quarterly, and The Margins, and her films have been shown at Berlin’s Harun Farocki Institute. She is currently an MFA candidate at NYU, where she received the Lillian Vernon Fellowship. After spending a year traveling as a Thomas J. Watson Fellow, she is working on a docupoetics project collaborating with women dislocated as refugees and migrant workers.

White, disabled, and genderqueer, Eli Clare lives near Lake Champlain in occupied Abenaki territory (currently known as Vermont) where he writes and proudly claims a penchant for rabble-rousing. He has written two books of creative non-fiction, Brilliant Imperfection: Grappling with Cure and Exile and Pride: Disability, Queerness, and Liberation, and a collection of poetry, and has been published in many periodicals and anthologies. Eli speaks, teaches, and facilitates all over the United States and Canada at conferences, community events, and colleges about disability, queer and trans identities, and social justice. Among other pursuits, he has walked across the United States for peace, coordinated a rape prevention program, and helped organize the first ever Queerness and Disability Conference.

Nimo J. Ali and Shannon Finnegan are two friends who live in Brooklyn, NY. They both enjoy reading, writing, and talking about friendship, community, and futures that are different from the present. Nimo writes, cooks, and works in education. Shannon is an artist and enjoys doing puzzles.

Pelenakeke Brown is an interdisciplinary artist from Aotearoa (New Zealand) of Samoan/Pakeha heritage. Her work fuses drawing, poetry and performance to explore the intersections and connections between disability and Samoan concepts. She has worked with The Metropolitan Museum of Art, The Goethe Institute, Gibney, Movement Research, and other institutions across the globe. She is a 2020 Eyebeam Artist-in-Residence.