Readings

California is often characterized as a state in which the north and south differ politically and culturally, but differences between its coast and inland areas may be even more profound. The current year’s drought exacerbates the coast-versus-valleys tension as major cities vie with the state’s agricultural center for water. Intending “to start a new conversation between the two parts of California that are at best disconnected, and often at odds,” in 2010, photographer and writer Lisa Hamilton secured a grant from the Creative Work Fund to collaborate with Roots of Change.

Even folks entirely unfamiliar with the concept of creative placemaking intuitively grasp the potential for artist spaces to catalyze revitalization, and mural projects to animate vacant walls. The usual mental backdrops, however, are down-and-out urban neighborhoods.

When the Network of Ensemble Theaters (NET) set out to produce MicroFest USA: Revitalize, Reconnect, Renew, we wanted to look at the positive impact that art and artists were having on communities around the country. Our intent was twofold: to acknowledge and advance the pioneering and current work of ensemble theaters committed to community-based practice and positive community change (placemaking), and to foster mutual learning with a wider spectrum of artists, cultural workers, and community partners also contributing to community well-being and social change (placemakers).

Success Looks Different Now: Design and Cultural Vitality in Lower Manhattan is a fluently argued report published in June 2013 by the Architectural League of New York about cultural infrastructure needs in Lower Manhattan.

On this seventeenth anniversary of the Sphinx Organization’s work in the field, I felt compelled to speak to our field and nation as a whole regarding diversity, inclusion, and the state of American orchestras.