Cultural Policy

August 31, 2007 by giarts-ts-admin
As we were recruiting writers for this issue of the Reader, we learned that John Rockwell was retiring from his position as arts critic for The New York Times. It was all too tempting to ask Rockwell to reflect on the arts as he has chronicled them through his career. His response was to address the relationship between culture and class—both in history and in the present—raising questions about patronage and access, and the differences across classes in the kinds of art that are supported and accepted.
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August 31, 2007 by giarts-ts-admin
Poet, novelist, and dramatist Denise Chávez lives in the borderland between New Mexico and Mexico. There, following in the footsteps of the women of her family, particularly her Tiá Chita (who created a lending library in a small town in Texas), Denise is a founder of the Border Book Festival—creating a sense of community through books and writers. In visiting New Mexico, we wanted GIA members to experience the difference between its northern and southern regions.
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August 31, 2007 by giarts-ts-admin
Jeff Chang is widely known for chronicling the story of the hip-hop generation through his book Can't Stop Won't Stop and the recent anthology Total Chaos. In this Taos Journey essay, Chang looks back at the legacy of the multiculturalism movement of the 1960s and '70s; at the last several GIA conferences, grantmakers have gathered to discuss their concerns about crises in important culturally specific organizations formed during that period.
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August 31, 2007 by giarts-ts-admin
Changing media policy has affected and will continue to shape how art is made and distributed, whose voices are heard, and who has access to those voices. To take an angle on this multifaceted subject, we invited two articulate media experts into a conversation about their work—work that has profound implications for artists and for social justice activists. Jenny Toomey, executive director of the Future of Music Coalition, interviews Loris Taylor, executive director of Native Public Media.
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August 31, 2007 by giarts-ts-admin

2007, 102 pages. RAND Corporation, 1776 Main Street, P.O. Box 2138, Santa Monica, CA 90407, 310-451-7002, www.rand.org

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August 31, 2007 by giarts-ts-admin

2007, Americans for the Arts, 1000 Vermont Avenue, NW, 6th Floor, Washington, DC 20005, 202-371-2830, www.americansforthearts.org

Download pdf: www.artsusa.org

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July 31, 2007 by giarts-ts-admin

In the Reader last issue I reported on the Cleveland Foundation's decade-long effort (in partnership with other area funders, cultural institutions, and the Community Partnership for Arts and Culture) to make the case for local public support for the arts here. At the GIA conference last November, anyone within shouting distance of those of us from Cleveland must have heard that we were suc-cessful. The grins on our faces lit up the host celebration that first night.

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July 31, 2007 by giarts-ts-admin

New Year's Day, 1980, found Arlene Goldbard living in Washington, D.C. monitoring and reporting on our nation's de facto cultural policy. The fact that Arlene was doing this says a lot about the leadership role that many of us were counting on the federal government to play in leveling the field so that our many U.S. cultures would have an equal chance to express themselves, to develop, and, inevitably, to cross-pollinate. It was a substantial and beautiful vision then, and remains so today.

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July 31, 2007 by giarts-ts-admin

When we visit our physicians, we naturally assume they bring a bundle of knowledge and insight to the meeting. For one thing, we expect them to bring a broad and nuanced understanding of human physiology, and how its many interconnecting systems (circulatory, respiratory, muscle, nervous, lymphatic, and so on) influence our health and well being. We also expect that they know how and where to look for indicators of our health (taking our temperature, testing our blood pressure, checking our blood for chemical balances).

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April 30, 2007 by giarts-ts-admin

Landscape dominates Oregon. Its beaches, mountains, and rivers beckon Oregonians to spend their leisure time hiking, skiing, and fishing. Many Portland residents routinely exit the city on weekends, choosing outdoors over urban culture. It is within this enticing natural environment that Portland's arts and cultural institutions must engage their audiences and make their way as financially viable institutions.

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