Arts and Community Development

Creating Public Value Through State Arts Agencies

November 12, 2009 by Steve

At a time when public support of the arts faces a range of challenges, state arts agencies could use a framework to help them better serve the arts community and engage more people in the arts -- thereby elevating these agencies' public value.

McGarvey Scrivner Award Speech

November 12, 2009 by Steve

Council on Foundations Annual Conference, May 1, 2001

Craig McGarvey, The James Irvine Foundation

From a position of received privilege, how should one behave so that it might be put to productive use as people are learning to get better at their work? This is a central question facing philanthropy, and it figured centrally in preparations for today. How to say something appropriate and helpful under such extraordinary circumstances?

There was the problem that no single foundation's body of work could possibly measure up to being singled out.

Native America at the new Millenium

November 12, 2009 by Steve

Native America at the new Millennium is a Ford Foundation-funded collaboration by the Harvard Project, Native Nations Institute, and First Nations Development Institute that serves as a primer on contemporary American Indian affairs. NANM addresses topics as wide-ranging as tribal government, non-profit organizations, political activism, economic development, housing, welfare, health, arts, and media.

November 12, 2009 by Steve

This report presents key findings from a study of large foundations' giving to Native American causes and concerns. It addresses the real dollar value of grantmaking from 1989-2002, top donors and top recipients, and the general purposes to which grants are targeted. The pamphlet concludes with a discussion of what the data imply (and in particular, what action they ought to motivate) for foundations, Native-serving nonprofits, and tribal governments.

What Works

November 12, 2009 by Steve

The story of how the Boston Foundation became the first community foundation to develop and implement policy on exercising its proxy votes on investments to advance its mission.

Posted courtesy of Stanford Social Innovation Review

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What Works (5.9Mb)

Community-Based Arts Organizations

July 13, 2009 by giarts-ts-admin

2009, Americans for the Arts, 21 pages. Americans for the Arts, 1000 Vermont Avenue NW, 6th Floor, Washington, D.C., 20005, (202) 371-2830, www.artsusa.org.

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April 30, 2009 by giarts-ts-admin

The following piece is excerpted from the second of a two-part article written for the Community Arts Network, “The New New Deal.” Part one, published in December 2008, was titled, “the New New Deal: Public Service Jobs for Artists.” It described some of the things artists could do with public-service jobs. This excerpt is from part two, published February 24, 2009, “A New WPA for Artists: How and Why.” In this excerpt, Goldbard takes up the question of “why,” what are all the good reasons to support a new WPA for artists.

All America's a Stage

April 30, 2009 by giarts-ts-admin

2008, 8 pages. National Endowment for the Arts, 1100 Pennsylvania Avenue NW, Washington, D.C., 20506, 202-682-5400, www.nea.gov

http://www.nea.gov/research/TheaterBrochure12-08.pdf

All My Relations

April 30, 2009 by giarts-ts-admin

2008, 33 pages. International Funders for Indigenous Peoples, P.O. Box 1040, Akwesasne, NY, 13655, 518-358-9500, www.internationalfunders.org

http://sites.google.com/site/cagcircle/docs/allmyrelationsoct162008.pdf

Artists in the Workforce