Public Policy & Advocacy

Grantmakers in the Arts holds public policy and advocacy as one of its core funding focus areas and believes one of the most important roles we can serve in benefitting our members and the arts grantmaking community – maximizing the impact our sector can have toward increasing access to the arts and realizing racial justice through the arts – comes by way of our public policy and advocacy work. In GIA’s vision for the future, foundations have shifted their foci to increasingly include advocacy and public sector policy and practice.

Grantmakers in the Arts’ Public Policy & Advocacy work has 3 components:

1. GIA educates funders about how they can advocate and support both advocacy and lobbying.

2. GIA advocates and lobbies for federal governmental policies that benefit artists and other workers as well as students, seniors, children and caregivers.

3. Knowing that much government change happens at the level of agency practice, GIA provides professional development to public agencies that support the arts and artists at the state and local levels.

FUNDER EDUCATION

GIA educates funders about how they can advocate and support both advocacy and lobbying. Foundations, nonprofit organizations and public agencies can advocate. Advocacy is focused exclusively on raising awareness of issues and the impacts of approaches. Lobbying seeks more targeted influence.

Grassroots lobbying is the action of informing the public about an issue and asking them to take direct action, vote for a certain bill, for instance. Direct lobbying is the action of speaking to a government official with an express ask to take direct action such as voting for a certain bill.

The difference between advocating and lobbying can be identified by asking, “Is there a discrete piece of legislation under discussion? Am I encouraging someone to vote for or against that legislation?” If the answer is no, then you are advocating. If the answer is yes, you are lobbying.

Far more of us can engage in or support lobbying than we often realize. Nonprofits can lobby and foundations can support lobbying.

  • Foundations themselves CANNOT lobby, with the exception of community foundations. But, foundations CAN support lobbying.
  • Foundations CAN support nonprofits’ lobbying through general operating support as long as none of their funds are earmarked for lobbying.
  • Foundations CAN support nonprofits’ lobbying through project grants for projects that include lobbying as long as none of the grant is earmarked for lobbying.
  • Foundations CANNOT say, “Here’s your lobbying money.” Foundations CAN say, “Here’s your grant and we recognize that some of it will be used for lobbying.”

ADVOCACY AND LOBBYING

GIA advocates and lobbies for economic justice for workers, including artists. GIA advocates for a guaranteed income. Guaranteed income has its roots in the racial and gender justice movements of the 1960s when both Dr. Martin Luther King, Jr. and the Black Panther Party advocated for the policy. GIA advocates for portable benefits for workers. Benefits tied to employment is a historic relic meant to prevent people of color from accessing health insurance and other benefits. This relic discourages entrepreneurship and risk-taking, and has racialized outcomes. GIA has released a call for our stakeholders to endorse the Portable Benefits for Independent Workers Pilot Program Act.

In our support of equity, GIA is race-explicit but not race-exclusive. GIA advocates for cultural and economic self-determination for people with disabilities especially in light of the intersecting forms of oppression for racialized people with disabilities. GIA advocates for changing public policies to allow people with disabilities, including artists, to secure greater resources for their work without being rendered ineligible for public supports. GIA is endorsing the Allowing Steady Savings by Eliminating Tests Act (the ASSET Act). The bill raises the limits on assets people with disabilities can hold before being disqualified from public benefits while also indexing those limits to inflation. The bill also prohibits states from using asset tests for Temporary Assistance for Needy Families program (TANF), Supplemental Nutrition Assistance program (SNAP), and Low Income Home Energy Assistance (LIHEAP).

GIA advocates for the solidarity economy as part of our support for cultural and economic self-determination. GIA has advocated for all members of Congress to support the National Worker Cooperative Development and Support Act (HR 7221), which aims to promote and expand worker-owned cooperative businesses in the United States by endowing the Small Business Administration, Internal Revenue Service, Department of the Treasury, Department of Commerce, United States Department of Agriculture, and Department of Labor with responsibilities and authorities to implement programs and initiatives to support worker co-ops. Individuals and nonprofits can endorse here. Here is more information on the bill. Support to artists working as part of solidarity economies has risen from 7% of GIA’s member survey respondents in 2022 to 13% in 2023 – almost twice as many. Support to organizations working as part of solidarity economies has gone from 0 survey respondents in 2022 to 13% in 2023.

GIA has successfully lobbied to include arts-related provisions in the Child Care for Working Families Act, which proposes to better help low-income families pay for childcare and expand high-quality state preschool options. GIA advocated for AmeriCorps to make national volunteer service more accessible by offering an increase in living allowances.

GIA lobbies for policies that strengthen the nonprofit cultural sector and the public education system, which employ artists while benefiting society as a whole. GIA are committed to invigorating funding and support for arts education within federal policy, and defend that every resident has access to the arts as part of well-rounded, life-long education. Most recently, GIA worked with Representative Suzanne Bonamici (D-OR) on the development of the Arts Education for All Act, the broadest arts education policy bill ever introduced in Congress. In Spring 2021, GIA influenced the U.S. Department of Education to highlight the importance of equitable access to arts and culture when determining how to reopen schools. Additionally, GIA emphasized the need to make explicit how this access was racialized prior to the pandemic. Addressing this inequity was essential to effective reopening and remains essential to the adequate provision of comprehensive, well-rounded education.

GIA advocates and lobbies for lifelong learning. GIA is delighted that, in 2020, Congress passed the Supporting Older Americans Act including our recommendations that the Administration on Aging include the arts in the issues to be identified and addressed and be included among supportive services for older Americans.

STATE AND LOCAL PUBLIC AGENCIES

GIA is developing our first public agency track at our national conference in Chicago in October 2024. This track is the next iteration of the Cultural Policy Learning Series & Action Lab. The Cultural Policy Learning Series is a publicly accessible series of classes on such issues as racial equity and transformational practice in the public sector, translating between sectors, and planning toward action. These are all steps toward realizing the recommendations in the GIA-commissioned report, Opportunities at the Intersections: Advancing Racial Equity via Arts and Culture in the Public Sector, written by Jen Cole and Rebecca Kinslow.

GIA is eager to continue informing the field’s support for advocacy and to advocate for public policies that enhance lifelong access to the transformative power of arts and culture and create economic justice for artists and other workers.

by Nadia Elokdah

“When we fight pipelines, when we fight oil projects, when we fight all of the extractive development that harms our mother, we don’t do that just for ourselves,” Krystal Two Bulls says, director of the LANDBACK Campaign within the Indigenous advocacy organization NDN Collective in Grist. Elaborating, “We do that so we can all actually have an earth to live on in the future. So that future generations that aren’t even born yet have an earth to come to.”

Read More...
by Nadia Elokdah

A new bipartisan bill in Congress proposes a $300 million federal grants and commissions program for art workers. The Creative Economy Revitalization Act (CERA) is "a joint effort between hundreds of cultural organizations to stimulate the creative economy through public art projects across the United States,” pens Billy Anania in Hyperallergic.

Read More...
by Nadia Elokdah

This week’s NEA podcast is featuring NEA Chair Dr. Maria Rosario Jackson. Chair Jackson is no stranger to the Arts Endowment having had a great deal of first-hand experience with the agency as she has served on the National Council on the Arts since 2013. She comes to the position of chair with years of experience in comprehensive community building that focuses on the centrality of the arts. Chair Jackson shares her thoughts about the arts, an artful life, and the Arts Endowment at this time of reopening, rethinking, and reimagining the arts landscape.

Read More...
by Nadia Elokdah

"Federal arts funding in the United States is something of a sore subject: in comparison to other places around the world, creatives in this country function in near-perpetual states of uncertainty, striving endlessly to be afforded the security of a grant or gallery representation," writes Helen Holmes in the Observer.

Read More...
by Carmen Graciela Díaz

Hyperallergic writes about the Creative Economy Revitalization Act (CERA), a new bipartisan bill in Congress that proposes a $300 million federal grants and commissions program for art workers. "The act is a joint effort between hundreds of cultural organizations to stimulate the creative economy through public art projects across the United States," states the article.

Read More...
by Carmen Graciela Díaz

The Los Angeles County Department of Arts and Culture announced artist and community organizer Patrisse Cullors has joined its Arts Commission, the LA County Board of Supervisors’ longstanding advisory body for the arts.

Read More...
by Carmen Graciela Díaz

A blog post published by the Wallace Foundation explains "Five Things State and District Leaders Need to Know Now" about the American Rescue Plan, the federal government’s third major COVID-19 relief bill that "provides nearly $2 trillion to support the nation’s efforts to reopen and recover from the coronavirus pandemic. Included is more than $126 billion for K-12 schools and additional funding for early childhood and higher education."

Read More...
by giarts-ts-admin

The Creative Economy Revitalization Act (CERA), a bill to authorize and appropriate a $300 million modern WPA/CETA program for creative workers, was recently submitted to the clerk in the House.

Read More...
by giarts-ts-admin

On June 21, 2021, AmeriCorps –the federal agency which provides support through funding and people power to more than 2,000 organizations across America and connects over 70,000 Americans each year to opportunities to engage in volunteer service to meet community needs – announced how it will use its $1 billion allocation in American Rescue Plan (ARP) funds to address ongoing challenges posed by the COVID-19 pandemic.

Read More...
by Carmen Graciela Díaz

In a recent letter, members of the Arts Education Council of Americans for the Arts state "AFTA has much work yet to do to repair the harm caused — most directly to BIPOC-led arts and culture organizations — by decades of gatekeeping and resource-hoarding, spearheaded by their senior leadership."

Read More...