Theater

August 31, 2007 by giarts-ts-admin

Classical opera is a glorious but expensive enterprise that is thought by many to be so caught up in traditional methods and structures that it cannot adapt to changing times. Not so at the Metropolitan Opera in New York, under the recent and widely discussed leadership of Peter Gelb. Here, GIA member Russell Willis Taylor, president and CEO of National Arts Strategies, interviews Gelb about his approach to leadership, and his ambitions for the Met.

August 31, 2007 by giarts-ts-admin

Key findings of this report are based on arts grants of $10,000 or more reported to the Foundation Center by 1,154 of the largest U.S. foundations.

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Arts Funding Snapshot 2005 (445K)

Angels in the American Theater

August 31, 2007 by giarts-ts-admin

2007, 304 pages. Southern Illinois University Press, 1915 University Press Drive, SIUC Mail Code 6806, Carbondale, IL 62901, 618-453-2281, www.siuc.edu

August 31, 2007 by giarts-ts-admin

2007, 16 pages. Washington State Arts Commission, 711 Capitol Way, Suite 600, PO Box 42675, Olympia, WA 98504, 360-753-3860, www.arts.wa.gov

Download pdf: www.arts.wa.gov

The Washington State Arts Participation Initiative (API) was established in 2002, and provided fifteen model organizations around the state with modest multi-year grants designed to strengthen participation in the arts. Those chosen were all serving underserved communities

Performing Communities

August 31, 2007 by giarts-ts-admin

2006, 240 pages. New Village Press, P.O. Box 3049, Oakland, CA 94609, 510-420-1361, www.newvillagepress.net

The Changing Place of the 501(c)(3)

August 31, 2007 by giarts-ts-admin

Last year AEA Consulting developed the working paper “Critical Issues Facing the Arts in California” for the James Irvine Foundation. Since its release, the report has generated extensive conversations and responses, both within and beyond California. GIA invited Adrian Ellis, principal of AEA Consulting, to offer further thoughts on the current state of the arts in the United States.

The Journey Is Everything

August 31, 2007 by giarts-ts-admin

In the weekend leading into the 2007 Taos Journey conference, members of Grantmakers in the Arts and Grantmakers for Education will spend two days together in Santa Fe seeking better understanding of one another's priorities in arts and educationfinding common ground. In the spirit of building this bridge between education and the arts, we sought an educator rather than an artist, a practitioner rather than a researcher, to write about arts education.

Imprints

August 31, 2007 by giarts-ts-admin

As conference co-chairs, neither of whom has lived in New Mexico, we were told that the story of art in New Mexico is a story of place, that the regionits landscape, its convergence of cultures, its sacred spacesdefines what and how art is made. We turned to a number of New Mexico artists and writers to give us their inside views of this remarkable region. Among them is Chrissie Orr, a transplant from Scotland, who makes work informed and formed by New Mexico's physical environment.

Culture and Class

August 31, 2007 by giarts-ts-admin

As we were recruiting writers for this issue of the Reader, we learned that John Rockwell was retiring from his position as arts critic for The New York Times. It was all too tempting to ask Rockwell to reflect on the arts as he has chronicled them through his career. His response was to address the relationship between culture and classboth in history and in the presentraising questions about patronage and access, and the differences across classes in the kinds of art that are supported and accepted.

Singing Our Praises

July 31, 2007 by giarts-ts-admin

2004, 171 pages. Commissioned by Association of Performing Arts Presenters, Washington, D.C. 20063.