New Genres / New Media

by giarts-ts-admin

2008, 49 pages. Bush Foundation, 332 Minnesota Street, Suite E-900, Saint Paul, MN, 55101, (651) 227-0891, www.bushfoundation.org

http://www.bushfoundation.org/publications/BushFellowsReport.pdf

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by giarts-ts-admin

What is the best way to promote a vibrant and diverse exchange of educational information, cultural expression, and political discourse over the Internet? What type of service—commercial enterprise, government agency, or non-commercial organization—can be counted on to insure that quality and diversity are reflected prominently?

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by giarts-ts-admin

2008, 265 pages. Center for Cultural Innovation, 244 S. San Pedro Street, Suite 401, Los Angeles, CA, 90012, (213) 687-8577, www.cciarts.org

This resource guide is written for working artists across the U.S, providing information and advice for the "self-employed creative entrepreneur." Included are basic principles behind career and business planning, marketing and promotions, budgeting and money management, legal issues relevant to artists, and financing for creative work.

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2007, 235 pages. National Guild of Community Schools of the Arts, 520 8th Avenue, Suite 302, New York NY, 10018, (212) 268-3337, www.nationalguild.org

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2008, 328 pages. Published by University of California Press

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2007, 33 pages. City of Santa Monica, Community and Cultural Services Dept., 1437 4th Street, Suite 310, PO Box 2200, Santa Monica, CA 90407

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When assessing the results of the work of arts organizations, do we measure the right things? Can we measure whether the art itself is good? This continues a dialogue that began in GIA Reader, Vol. 17, No. 3.

Bruce Sievers, Skirball Foundation; Diane Ragsdale, The Andrew W. Mellon Foundation (co-presenters, moderators); Suzanne Callahan, Dance USA (interlocutor).

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2007, 17 pages. Oregon Arts Commission, 775 Summer Street NE, Suite 200, Salem, Oregon 97301, (503) 986-0082

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A conversation between essayist John Rockwell and Linda Breneman (Breneman Jaech Foundation) about cultural patronage today, from the perspectives of a journalist and an individual donor. Funders with varying relationships to living patrons, donors' estates, and philanthropic institutions chime in on how risky, enduring art is—or might be—supported.
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by giarts-ts-admin

2007, 27 pages. Grantcraft, The Ford Foundation, 320 East 43rd Street, New York, NY 10017, (212) 573-4879, www.grantcraft.org
PDF online: www.grantcraft.com

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