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Appendix C: Committee Sound-bytes, Impetus
Deep Context: My approach to data is “deep context”; I see value in understanding what is beneath the data. I think context is what helps determine future courses of action, which result in systemic solutions.
“Every system is perfectly designed to get the result it gets.”
— W. Edwards Deming (possibly apocryphal)
Cultural equity is critical to the arts and culture sector’s long-term viability, as well as to the ability of the arts to contribute to healthy, vibrant, equitable communities for all. At the core of the challenges related to cultural equity are the historically inequitable distribution of resources and the value systems, biases, and systemic barriers associated with that distribution.
In February 2018, the portrait of former First Lady Michelle Obama was unveiled at the National Portrait Gallery in Washington, D.C. Within this institution of power, a Greek Revival building lined with marble floors and white columns, images of presidents and other US leaders are captured in traditional oil paintings. In envisioning their own portraits, the Obamas made bold choices, which differed from most of their predecessors’ in the artists who were chosen to paint them and the styles in which they were portrayed.
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As a new administration enters our nation’s White House, it is timely to reflect on the way that private philanthropy and public foundations joined forces to step into the gap when federal funding for the arts was dramatically reduced in the early 1990s.
Grantmakers in the Arts released its Statement of Purpose for Racial Equity in Arts Philanthropy in March 2015. It did not spring from thin air. Members concerned with social justice have been active within GIA for nearly a decade. Over the past six years, members have shown an overwhelming interest in equity issues facing their communities. Racial equity was deliberately selected four years ago for a thought leader forum in order to go deeper into one area of social justice.
M. Melanie Beene, Fenton Johnson, and Patricia A. Mitchell. 1988. San Francisco, CA.
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Autopsy of an Orchestra (12.7Mb)
This article is part of the Revisiting Research series.