Healthcare is in the headlines and on the minds of every community funder and planner. Join Patricia Lambert from University of Oregon’s arts management program and Jill Sonke, director of University of Florida’s Center for the Arts in Medicine, who will share their experiences working with artists and healthcare professionals to support successful arts-in-medicine programs.
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The GIA Library is an information hub that includes articles, research reports, and other materials covering a wide variety of topics relevant to the arts and arts funding. These resources are made available free to members and non-members of GIA. Users can search by keyword or browse by category for materials to use in research and self-directed learning. Current arts philanthropy news items are available separately in our news feed - News from the Field.
In an article in the latest issue of the GIA Reader, “How to Invest in the Arts without Buying a Picasso,” Laura Callanan of Upstart Co-Lab writes about the emergence of impact investing and how it can support the creative economy.
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About Grantmakers in the Arts
Judy Malloy, ed. 2016. 465 pages, The MIT Press, Cambridge, Mass.; London.
As our country prepares for a Trump presidency, the issue of economic revitalization in rural American has much more urgency than eight months ago when I started collecting data for this work. Here is a sampling of headlines from coverage by the New York Times of the economic decline in the rust belt, or more specifically, coal country and Appalachian towns: “Trump’s Promises Will Be Hard to Keep, but Coal Country Has Faith” (Nov. 28, 2016); “A Bleak Outlook for Trump’s Promises to Coal Miners” (Nov.
What can you do when times are uncertain, and yet a clear opportunity to advance a collective agenda presents itself? Take action.
The League of American Orchestras’ upcoming national conference in Detroit falls just days before the fiftieth anniversary of the 1967 Detroit uprising, the largest urban disruption in America since the Civil War. According to Detroit Symphony Orchestra (DSO) president Anne Parsons, the 1967 riot was the context for the orchestra’s fellowship program for African American musicians.