For the months of January and February, GIA's photo banner features work supported by The Boeing Company ("Boeing"). Boeing's Global Engagement programs implement Boeing's strategic philanthropy through its charitable investments, volunteer programs, employee drives, disaster response, and other integrated programs. In 2017, the company provided approximately $170M to communities around the world – its key priorities include Veterans, K-12 Education, and Dynamic Communities.
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The GIA Library is an information hub that includes articles, research reports, and other materials covering a wide variety of topics relevant to the arts and arts funding. These resources are made available free to members and non-members of GIA. Users can search by keyword or browse by category for materials to use in research and self-directed learning. Current arts philanthropy news items are available separately in our news feed - News from the Field.
Grantmakers in the Arts offers a wealth of resources and information to support and inform the field of arts philanthropy, including research, webinars, podcasts, videos, and articles in our Library.
Research
Since 1993, GIA has published research summarizing the distribution of philanthropic dollars from public and private arts funders in the United States. This annual research is available on our Arts Funding Trends page. GIA also conducts periodic research on issues and practices related to arts philanthropy, which are published in our online Library.
The Detroit Idea Lab, Though… If you didn’t already know, the IDEA LAB is hands down my favorite thing about GIA Conferences. (If there’s any doubt, just see my previous conference blog posts.) No shade to the sessions, which undoubtedly convene a stellar array of peoples and perspectives, creating space for needed critical learning and dialog. The morning blessing that is the Idea Lab, though, situates us all in an artist-centered, artist-led ecology.
Do you think that we are living in a zeitgeist of catalytic change? I have heard the word catalytic used so frequently that I find myself accessorizing moments with this adjective as if it holds the weight of tectonic shifts. It seems to promise the kind of change that either redirects historical systems of oppression toward equity — gradually erasing calcified notions of otherness that fuel supremacist behaviors — or catapults us back into a time where Flintstones-like ideals become presidential norms.
We need to engage with a dynamic world, a world that will not return to a steady state after the challenge. We don’t live in a world of change but rather one that is asking us to constantly create.
— Ian Prinsloo, The Rehearsal Process
The quest for support for the arts is continuous. We search for ways to seed or increase the flow of dollars, looking for more philanthropic capacity from every purse. It is never as bounteous as the need.
This June, while facing a proposed 2018 budget just large enough to sunset the agency, National Endowment for the Arts Chairman Jane Chu began a keynote address at the 2017 Americans for the Arts conference with a simple but timely question, “What if access to the arts was a human right?”
During the past two decades, cultural planning practice in the United States has fallen behind that in parts of the world where cultural plans are required in city general plans, broader definitions of culture have been adopted, more domains of city planning have been integrated, and theoretical debate has progressed further. In the United States there is neither a field of cultural planning nor of cultural planners.
If there is in society a collective consciousness, then art is its imagination. Imagination is different from fantasy, which conjures up desires divorced from reality; imagination is creative problem solving that assesses what is available and re-creates it into something new, better, or self-satisfying. Detroit has been short on many things over the past fifty years — economic prosperity, functioning city services, racial justice, validation — but it is astonishingly long on imagination and creative problem solving.
In February 2017, the Greater Washington Community Foundation (Washington, DC) in partnership with the Eugene and Agnes E. Meyer Foundation, established the Resilience Fund to respond to the critical needs of nonprofits working to support our region’s vulnerable communities as a result of changes in federal policy. To date, we have surpassed our $500,000 fundraising … Continue reading The Resilience Fund