Grantmakers in the Arts

January 10, 2012 by Steve

Grantmakers in the Arts has posted an opening for the position of Development & Membership Associate.

Supervised by the Director of Development & Membership, the Development & Membership Associate is responsible for maintaining accurate and up-to-date member and donor records and membership and funding partner files; conducting timely membership renewals and member and donor acknowledgements; and assisting with all aspects of member/donor recruitment, retention, engagement, and acknowledgement.

January 9, 2012 by Steve

From Diane Ragsdale in her Jumper blog:

Direct grants to artists may make it possible for an artist, at a particular point in his or her career, to make (better or more ambitious) work (by removing the necessity to maintain a day job). Funds may be used to help an artist acquire a critical resource or asset that has longer term returns (a marketable artistic output, knowledge and skills, marketing and promotion, staff, representation, a piece of equipment, a studio, a car, etc.). And often direct grants (particularly if competitve or associated with awards) send a signal to other gatekeepers (funders, donors, producers, press, intermediaries, curators, etc.) that a particular artist is worthy of time and support and may result in more resources and attention flowing to that artist.

January 6, 2012 by Steve

The Bush Foundation announced today that President Peter Hutchinson has resigned and will transition from his leadership role with the Foundation in January of 2012. After joining the Foundation in November of 2007, Hutchinson led a dramatic redesign of the organization and its work. He will serve in an advisory capacity on select Foundation initiatives.

January 6, 2012 by Abigail

A new year, a new month, and a new slide show of member-supported projects on the GIA website! Our January featured member is 3Arts. Based in Chicago, 3Arts works to sustain and promote Chicago artists through validation, promotion, residencies, and unrestricted cash grants. The organization focuses on women artists, artists of color, and artists with disabilities in order to encourage a diversity of voices and visions in the communities it serves.

January 4, 2012 by Steve

Socialbrite has assembled a listing of 2012 events relevant to the nonprofit and social change sector.

January 4, 2012 by Steve

In March 2011, the National Endowment for the Arts and the U.S. Department of Health & Human Services hosted a first-of-its-kind event to showcase and discuss recent research on the arts and human development. The one-day forum examined the relationship between the arts and positive health and educational outcomes at various segments of the lifespan — from early childhood, to youth and adolescence, to older adult populations. A white paper, The Arts and Human Development: Framing a National Research Agenda for the Arts, Lifelong Learning, and Individual Well-Being summarizes major themes from the forum, and highlights related studies. It also makes recommendations toward establishing a long-term federal partnership to promote research and evidence-sharing nationwide.

January 3, 2012 by Steve

The Board of Directors of The Center for Arts Education has announced the selection of Eric G. Pryor as Executive Director. Pryor replaces Richard Kessler who left CAE in August to become Dean of Mannes College the New School for Music.

Before joining CAE, Pryor served as the Executive Director of the New Jersey State Museum where he successfully revitalized the institution with the re-opening of three major galleries, the Planetarium in 2009, and the Cultural History Collection gallery and the Fine Art Collection Gallery in 2010.

January 3, 2012 by Steve

From Richard Florida at The Atlantic Cities:

In case you missed it last week, Matt Yglesias wrote a provocative piece for Slate arguing that while Washington, D.C., is thriving, it's not all that terrific for artists. In particular, he singles out young artists at the formative stage in their careers, writing that “if you're a semi-employed artist or guitar player it's much more expensive than Philadelphia or Baltimore and still smaller and less interesting than New York City, which has less than one-third our murder rate.”