Grantmakers in the Arts

by Janet

By Janet Brown from her blog Better Together

Earlier in my career, I was privileged to work across sectors with passionate and gifted artists. In most instances, the connection with the non-arts organization (hospital, correction facility) was made by my organization. But the creation of the service to be delivered was designed and always implemented by these amazing artists.

by Steve

Sharon Alpert will become the Nathan Cummings Foundation’s fourth president and first female leader, according to Adam Cummings, the foundation’s board chair. Ms. Alpert comes to the 25-year-old multi-generational family foundation from the Surdna Foundation, where, over 11 years, she rose from associate program officer to program director to her current position as the vice president of programs and strategic initiatives. She will assume her role as president and CEO of the Nathan Cummings Foundation, and ex-officio member of the board of trustees, in November 2015.

by Steve in Arts Education

School principals are “invaluable multipliers of teaching and learning in the nation’s schools,” according to “Developing Excellent School Principals to Advance Teaching and Learning: Considerations for State Policy,” a new report commissioned by The Wallace Foundation and written by Paul Manna, a political scientist at the College of William & Mary, as well as an expert on state education policy.

by Steve

From Olivia Clement, writing for Playbill:

The services of Career Transition For Dancers will be integrated into the ongoing programs of The Actors Fund, it was announced September 21. The two non-profit human service organizations will unite in their sharing of providing programs and services to dancers and the dance community; the merger is expected to be fully integrated by the end of the year. “Career Transitions For Dancers has helped thousands of dancers over the past thirty years in taking their first steps in discovering rewarding second careers,” said CTFD chairman Emerita and former American Ballet Theatre principal dancer Cynthia Gregory in a press statement.
by Steve in Racial Equity

Grantmakers in the Arts invites interested and qualified consulting firms or individuals through an RFP process to submit a proposal to conduct an organization-wide audit of GIA’s internal documents and policies and external communication as they pertain to the organization’s goals of racial equity in arts philanthropy.

Deadline for proposals is October 26, 2015.

by Steve in Emergency Readiness, Response, and Recovery

Wildfires have devastated various parts of California in recent days, and artists and arts communities are among those affected. The California Arts Council has assembled some information that may be useful to those impacted, as well as others who would like to help and need guidance as to how.

by Steve

The Kresge Foundation Board of Trustees approved an ambitious plan to invest $350 million by 2020 through the foundation’s Social Investment Practice, making clear that using a variety of investment tools is central to bringing enhanced opportunities to low-income people in America’s cities. The $350 million represents approximately 10 percent of the foundation’s corpus as of 2015. As the foundation expands its use of these types of investments, it will continue to align them with its six program areas — Arts & Culture, Education, Environment, Health, Human Services and Community Development in Detroit — and make nearly $140 million in grants each year.

by Steve

From Jordan Levin at the Miami Herald:

As Miami’s arts season gears up with an overflowing slate of museum exhibits, ballet premieres, and more culture than any individual could ever absorb, it’s easy to take the city’s vibrant artistic life for granted. But only one generation ago, Miami was widely derided as a cultural wasteland. The dynamic creative scene that has become such an integral part of Miami’s character was created in an extraordinary — and extraordinarily unlikely — burst of cultural energy in the 1980s.