In an article in the latest issue of the GIA Reader, Michael Warlum, who worked for Robert E. Gard at Wisconsin Idea Theatre, reflects on the continued influence of Gard's The Arts in the Small Community fifty years after its publication.
Grantmakers in the Arts
A new report commissioned by the Robert Wood Johnson Foundation surveys the efforts of 15 foundations, including Ford Foundation, The Kresge Foundation, and Surdna Foundation, that are working to “incorporate equity — both in their internal operations and in their grantmaking.” The Road to Achieving Equity presents key findings from the survey, challenges the foundations have faced, and recommendations for foundations looking to begin their own work toward equity.
John D. and Catherine T. MacArthur Foundation has announced the names of the 2016 MacArthur Fellows. Among the awardees are author Claudia Rankine, who presented an inspiring keynote at the 2015 GIA Conference, and theatre artist and educator Anne Basting, who has worked with GIA to support arts and aging. Each of the 23 MacArthur Fellows will receive a stipend of $625,000.
In an article in the latest issue of the GIA Reader, “Impact Investing 101,” Rosalie Sheehy Cates and Shin Yu Pai of Philanthropy Northwest offer a primer for funders interested in exploring impact investing.
A recent article in Education Week highlights efforts to encourage schools in various states to use Title I funds for arts education programs:
Grantmakers in the Arts has released an expansion of its landmark Racial Equity in Arts Philanthropy Statement of Purpose with new definitions, recommendations, and resources to support arts funders in taking up and continuing this important work.
National Endowment for the Arts and the Center for Cultural Innovation (CCI) have launched a new report examining the needs and values of artists. Creativity Connects: Trends and Conditions Affecting U.S. Artists examines artist funding and training, as well as the effect of other forces shaping the work environment for artists including technology, the gig economy, student debt, and the growth of cross-disciplinary work.
A recent article in The Wichita Eagle states that the Wichita Arts Council is moving to a membership-based funding model:
