GIA Reader (2000-present)

Fear and Anxiety, or Resilience and Creativity

November 19, 2009 by Steve

How are artists weathering the economic downturn? Artist Trust wanted to take the pulse of the Washington State artist community and to consider what programmatic solutions Artist Trust and others might offer. Between March 15 and April 15, 2009 nearly 700 artists responded to an online survey. The survey was not designed to collect data for quantitative analysis; rather, it was conducted as a way to gain an informal snapshot of artists’ personal situations.

November 19, 2009 by Steve

Current Funding

November 19, 2009 by Steve

As funders we have three main challenges: first, getting a handle on the extent and impact of the recession; second, exerting leadership — being bold, positive, and opportunistic without being insensitive; and third — and most important — asking ourselves the same tough questions that we are asking grantees: how do we slip the vice-like grip of old mindsets and behaviors and adapt so we increase our relevance, resilience, and meaningful contributions to our community?
— Foundation President

In Response to the Times

November 19, 2009 by Steve

As we move through the greatest economic downturn since the great depression, Grantmakers in the Arts has analyzed its programs and put together what we believe to be an appropriate response to the times. This edition of the Reader is part of our design to provide relevant research and statistics to the field in an economical and efficient manner. This summer edition of the Reader is published solely on-line. A PDF file was mailed to all members and subscribers and is available on the website, and the individual articles are also posted in the GIA web Library.

The Outlook for Foundation Giving

June 19, 2009 by Steve

Since 2001, GIA and the Foundation Center have collaborated on an annual “snapshot” of foundation funding for the arts based on grants awarded by a sample of over 1,000 of the largest U.S. foundations. Given the exceptional challenges now facing the country’s foundation and nonprofit communities, we have concluded that the arts field would be better served this year by a broad overview of how foundation giving might fare during the current economic crisis.

Artist Space Development: Financing

April 30, 2009 by giarts-ts-admin

2007, 114 pages. Urban Institute, 2100 M Street NW, Washington, D.C., 20037, 202-833-7200, www.urban.org

http://www.urban.org/UploadedPDF/1001175_asd_financing.pdf

June 30, 2006 by giarts-ts-admin

October 2005, 200 pages, $19.95. New Village Press, Oakland, CA, 510-420-1361, www.newvillagepress.net

A Beginner's Guide to Community-based Arts is a wonderfully designed and accessible training guidebook for teachers, artists, and activists wanting to use art as a vehicle for social change. Lead writer Mat Schwarzman and cartoonist Keith Knight create graphic profiles of ten exemplary practitioners followed by activities, exercises, discussion questions, and resources on how to connect with and develop art emanating out of a particular community.

Social Justice Grantmaking

June 30, 2006 by giarts-ts-admin

2005, 82 pages. The Foundation Center, 79 5th Avenue, New York, NY 10003-3076, 212-620-4230.

Published in cooperation with the Independent Sector, this report is the first comprehensive analysis of U.S. foundation funding for social justice from 1998 to 2002, based on data that includes all grants of over $10,000 from more than 1,000 of the nation's largest private and community foundations.

June 30, 2006 by giarts-ts-admin

2004, 18 pages. Los Angeles County Arts Commission, 500 West Temple Street, Los Angeles, CA, 90012, 213-974-1343

Download pdf: www.lacountyarts.org/artsed/docs/artsedu_artsforall09-02.pdf

Stages of Transformation

June 30, 2006 by giarts-ts-admin

2005, 174 pages. Theatre Communications Group, 355 Lexington Ave. New York, NY 10017-0217, 212-697-5230.

Launched in 1999, the National Theatre Artist Residency Program was designed to foster both new and expanded relationships between theaters and artists through grants for long-term residencies. This volume documents the experiences of the 135 artists and 99 theaters that participated in the program through 2005, and provides an in-depth analysis of the many challenges and opportunities they faced.