Funding Research

Attending arts events is exhilarating, inspiring, and full of meaning. For years I've wished more people could have that experience. Why don't more people enjoy and appreciate the work that means so much to me? It's not just those who have different values, but people who are similar, with the same educational and demographic attributes — even members of my own family. If I can't convince them to become active participants, who can I convince?

1999, 316 pages, $22.50 (softcover); New York University Press, New York and London

One summer weekend several years ago, the psychiatrist husband of a dear friend of mine remarked over the dinner table how emotionally healthy his two weekend guests were. "We've taken you through all sorts of things you've never done before, and you've leaped into everything with no fear. You take risks and cope with whatever happens, whether good or bad. It's so impressive!" We looked at him over the tops of our wine glasses and said, "Oh, this is so sad. You've been with sick people for way too long."

November 1999, 98 pages, developed in cooperation with the Arts Education Partnership and the President's Committee on the Arts and Humanities, funded by the G.E. Fund and the John D. and Catherine T. MacArthur Foundation.

1999, 36 pages. A report on meetings of The American Assembly on November 13, 1998 at The Getty Center, California and on April 8-9, 1999 at Arden House, New York.

1998, 80 pages; Association of Performing Arts Presenters, 1112 16th Street N.W., Suite 400, Washington, D.C. 20036.

This attractive handbook presents a study of documentation methods from The Arts Partners Program, an audience development initiative sponsored by the Lila Wallace-Reader's Digest Fund. The initiative funded performing artists' residencies during which presenting organizations used a variety of strategies to engage audiences with the resident artists' work.

Quarterly; nonprofit North American subscription rates vary according to budget size and the exchange rate ($104-$156); Henry Stewart Publications, Russell House, London, United Kingdom.

November 1999, 48 pages; John S. and James L. Knight Foundation, Miami, Florida.

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1999, 23 pages. Final report of collaborative research project, Millennium Communications Group, Inc., 58 Salem Street, Andover, Massachusetts 01810.

Although its main focus seems to be on exploring ways of expanding philanthropy among new donors, Philanthropy's Current and New Stakeholders: Building a Common Vision for an Expanded Future also offers some interesting — and disturbing — observations on how traditional philanthropy is viewed.

1999, 128 pages; National Arts Journalism Program, Columbia University Graduate School of Journalism, 2950 Broadway, MC 7200, New York, New York 10027.

There is both good news and bad news in Reporting the Arts, the first comprehensive study of journalistic arts coverage in the United States, recently completed by the National Arts Journalism Program at Columbia University with funding from The Pew Charitable Trusts.