Funding Research

January 31, 2001 by giarts-ts-admin

Working paper writer, Mindy Levine; convening curator, Heather Hitchens

August 2000, 24 pages, Arts International.

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January 31, 2001 by giarts-ts-admin

1965, Partisan Review, also published in Against Interpretation and Other Essays, Farrar, Straus and Giroux, New York (1966), 304 pages.

In Susan Sontag's essay, "Styles," published by Partisan Review in 1965 and reprinted in Against Interpretation, a collection of her essays about art, she states:

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January 31, 2001 by giarts-ts-admin

2000, 46 pages. The McKnight Foundation, 600 TCF Tower, 121 South Eighth Street, Minneapolis, Minnesota 55402, (612) 333-4220.

This monograph celebrates poet Robert Bly with photographs, essays by friends and colleagues, and Bly's own poems. The Distinguished Artist Award, now in its third year, recognizes and celebrates Minnesota artists who have founded and/or strengthened Minnesota's arts organizations, mentored and inspired younger artists, and attracted audiences and patrons who enable art to survive.

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January 31, 2001 by giarts-ts-admin

October 2000, 94 pages. Bay Area Video Coalition, 2727 Mariposa Street, 2nd floor, San Francisco, California, 94110, (415) 558-2100, funded by the Ford Foundation.

This study identifies successful programs and practices of training programs that provide low-income people with job skills in the technology field. The study can be helpful to grantmakers wishing to better understand this field.

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January 31, 2001 by giarts-ts-admin

Cultural Policy Research was the topic of two breakfast roundtables at GIA's 2000 conference in Minneapolis. A combination of scheduled presenters and other participants gave brief summaries of current research underway. The cumulative impact of hearing about so many projects at the same time inspired Reader editors to want to share the reports with our readers. This overview does not pretend to be exhaustive, but rather is a snapshot based on roundtable participation and the ability of the following report contributors to respond quickly to our invitation. We extend many thanks to them.

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January 31, 2001 by giarts-ts-admin

In summer 2000, junior professionals working in Los Angeles County arts and culture organizations gathered to form the Emerging Arts Leaders (EAL), named to reflect their ambitions of becoming established arts leaders. The group has met bimonthly four times and is in the process of formalizing a mission statement and 2001 activities, one of which is to establish a professional development training program. EAL is composed of about thirty junior professionals from all facets of the arts (artists, arts organizations, grantmakers, for-profit enterprises, and independent consultants).

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January 31, 2001 by giarts-ts-admin

See them in snow under a full moon
they told me.
The shadows will take you out of
yourself to when
the Stones were erected, the time it
took and the reason
we try to guess today.

Richard Hugo, from "The Standing Stones of Callanish"

Poets know that how we ask a question determines how we see the answer. The Murdock Charitable Trust, in its ambitious new study of arts funding, is learning the same thing. It's often your landscape of assumptions that determines what you can see.

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January 31, 2001 by giarts-ts-admin

The Potrero Nuevo Fund is a donor-advised fund housed at the Tides Foundation in San Francisco. Established about five years ago by Bill Laven and Christine Pielenz, the Fund supports projects in the arts, the environment, and sustainable architecture. While the Fund's giving to environmental and sustainable architecture projects is international in scope, the arts giving is focused on the Bay Area, and primarily on individuals and arts education.

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January 31, 2001 by giarts-ts-admin

The Marie Walsh Sharpe Art Foundation was established in 1985 to provide supplemental instruction to promising young artists and financial assistance to visual artists of demonstrated talent. Today, the Foundation awards approximately $500,000 annually.

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January 31, 2001 by giarts-ts-admin

Filmmaker, painter, and composer Jerome Hill established the Jerome Foundation in 1964, and was active in its operation until his death in 1972. The Foundation makes grants to support the creation and production of new artistic works by emerging artists, and contributes to these artists' professional advancement. The Foundation states its "belief in the vigorous and distinctive voices of artists whose works challenge our thinking and add meaning to our lives.

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