Public Agency

July 2004, 76 pages. Published by Art in the Public Interest, P.O. Box 68, Saxapahaw, NC, 27340, 336-376-8404, info@communityarts.net, www.communityarts.net

Download Report: www.communityarts.net/readingroom/archivefiles/2004/08/can_report_the.php

May 2004, 53 pages. Published by Battelle Memorial Institute

Download pdf: http://www.flinn.org/docs/Vibrant_Culture-Thriving_Economy_full_213.pdf

The product of a multi-disciplinary task force in the greater Phoenix metropolitan area, this report makes the case, from an economic development point of view, for a central role for arts and culture in the region's future planning initiatives.

2003, 83 pages. Published by National Alliance for Media Arts and Culture, 145 Ninth Street, Suite 250, San Francisco, CA, 94103, 415-431-1391, namac@namac.org, www.namac.org

Download Report: www.namac.org/youth-media-report

http://www.culturalpolicy.org/index.cfm

The Center provides a variety of publications on cultural policy, their own as well as others, news links and online discussion forums in the "cultural commons."

2004, 256 pages, ISBN 0-471-44852-4. Published by John Wiley & Sons, Inc. 111 River Street, Hoboken, New Jersey, 210-748-6011, www.wiley.com

More Information: www.wiley.com/WileyCDA/WileyTitle/productCd-0471448524.html

http://www.culturalpolicy.arts.gla.ac.uk/

The Center's own research and publications focus on the UK, but the searchable database of cultural policy resources and links is international in scope.

2004, 74 pages. Published by The Boston Foundation, 75 Arlington Street, Boston, MA, 02116, 617-338-1700, www.tbf.org

Download Report: www.tbf.org/tbfgen1.asp?id=1759

The full text of this article is not yet available on this site. Below is a brief excerpt.

2004, 25 pages. Published by Day, Berry & Howard Foundation, CityPlace I, Hartford, CT, 06103-3499, www.dbhfoundation.org

Download pdf: http://www.independentsector.org/PDFs/counterterrorism.pdf

Recently, while sitting in a coffee shop in Chicago, I overheard a language that sounded familiar. Being a folklorist I'm sensitive to occupational language. You can blindfold me in front of conversations of cowboys or farmers and I will be able to pick out a number of things that distinguish their talk. And having a private language is not bad, it's a reality.