Dance

March 31, 2005 by giarts-ts-admin

The full text of this article is not yet available on this site. Below is a brief excerpt.

September 30, 2004 by giarts-ts-admin

May 2004, 53 pages. Published by Battelle Memorial Institute

Download pdf: http://www.flinn.org/docs/Vibrant_Culture-Thriving_Economy_full_213.pdf

The product of a multi-disciplinary task force in the greater Phoenix metropolitan area, this report makes the case, from an economic development point of view, for a central role for arts and culture in the region's future planning initiatives.

BOTH/AND not EITHER/OR

September 30, 2004 by giarts-ts-admin

The full text of this article is not yet available on this site.

What about Relevance?

September 30, 2004 by giarts-ts-admin

Catherine Maciariello
This panel intends to examine the purpose and value of what we do from the personal, institutional, and public perspective. We ask your indulgence and ask you to fly with us at 35,000 feet. We are talking about relationships, multiple meanings, and civic dialogue that enable an exchange of ideas that elevate and enrich both art-making and civic life.

ROOTS and Race

September 30, 2004 by giarts-ts-admin

Alternate ROOTS is a coalition of artists and cultural workers in the Southeastern USA; addressing racism and other oppressions has been integral to our mission for a long time. At our 2004 Annual Meeting this past August a panel of ROOTS' founding members discussed the function of ROOTS as a cultural continuation of the civil rights movement - beginning with our founding at the legendary Highlander Center in New Market, Tennessee.

What We Count

September 30, 2004 by giarts-ts-admin

What follows was adapted from a presentation by Sandra Opdycke, associate director of the Fordham Institute for Innovation in Social Policy. The talk was part of a member report at the 2003 GIA conference in Seattle. The room was full. Molly Giles Walker (from the Archie D. and Bertha H. Walker Foundation) was in attendance and reflected afterward: "The Fordham Institute looked at participation in the arts across economic levels and generations.

Mapping the Chicago Dance Community

September 30, 2004 by giarts-ts-admin

The Chicago Dance Mapping Project (CDMP) was conducted by Dance/USA over a period of eighteen months through 2002 "to capture a census of dance activity" in the six counties of the greater Chicago metropolitan area. Although the research coincided with the San Francisco and Washington, D.C. needs assessments described in the winter 2004 (Vol. 15, No. 1) Reader, the Chicago research was even more broadly inclusive of diverse dance entities and was originally intended to be reported and used as a database.

The Arts and Education

September 30, 2004 by giarts-ts-admin

2004, 34 pages. Published by Arts Education Partnership, One Massachusetts Avenue, NW, Suite 700, Washington, DC, 20001-1431, http://www.aep-arts.org

Download pdf: http://aep-arts.org/files/publications/OpportunitiesResearch.pdf

The CAN Report

September 30, 2004 by giarts-ts-admin

July 2004, 76 pages. Published by Art in the Public Interest, P.O. Box 68, Saxapahaw, NC, 27340, 336-376-8404, info@communityarts.net, www.communityarts.net

Download Report: www.communityarts.net/readingroom/archivefiles/2004/08/can_report_the.php

September 30, 2004 by giarts-ts-admin

July 2003, 12 pages. Performing Arts Research Coalition, c/o OPERA America, 1156 15th St, NW, Suite 810, Washington, DC, 20005-1704, 202-293-4466 x214, parc@operaamerica.org

Download pdf: http://www.operaamerica.org/parc/PARCExecSummary.pdf