Re-imagining Orchestras: A forthright report on the mixed results of one foundation's efforts
Stan Hutton
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At the 1997-98 New York Grantmakers in the Arts' program meetings, members agreed to focus on one discipline for a more in-depth look. Dance, perhaps the most beleaguered of all disciplines, was selected as the first test.
It was agreed that the goal was to raise the level of understanding of the needs and issues facing New York City's dance community. NYGIA commissioned Mindy Levine, a respected consultant who is well versed in dance and has completed studies for Dance/USA, to prepare a briefing paper: "New York City's Dance Community: Current Status and Needs."
The Arts and the Public Purpose 92nd American Assembly
From May 29 through June 1 of this year, seventy-eight individuals interested in the arts in the United States came together for the 92nd American Assembly at Arden House in Harriman, New York to debate "The Arts and the Public Purpose." The American Assembly was established by Dwight D. Eisenhower at Columbia University in 1950. Each year it holds at least two nonpartisan meetings on topics related to United States policy, each of which gives rise to a book on the subject discussed.
During the summer of 1996, the National Association of Artists' Organizations (NAAO) conducted a series of "regional think-tank sessions" with NAAO members and their constituencies in twelve cities across the country. A concern heard throughout "A Dozen Dialogues" was the need to develop, nurture, and support artists and arts professionals who are new to the field. As an initial response, NAAO brought together ten young people under the age of thirty who were identified by NAAO members as emerging leaders.
On March 7, 1997, the Los Angeles County Arts Commission, in conjunction with Community Partners, ARTS Inc., and the California Assembly of Local Arts Agencies, convened a workshop titled "Arts Incubators: Building Healthy Arts Organizations and Healthy Economies." The seventy-plus participants included representatives of arts organizations, local arts agencies, municipalities, and foundations.
The Council on Foundations' 1998 Family Foundation Conference was held February 22-25 in Los Angeles. For the first time in the recent history of this conference, family foundation trustees and executive staff lobbied and succeeded not only in including arts on the conference agenda, but in having an entire day devoted to elective arts sessions. Arts funding was one of five "spotlight sessions on critical issues." Mercy Pavelic, president of the Heathcote Art Foundation, participated on a panel on Arts Funding and the Future.
Here in Los Angeles, the thought of an "arts funding community" had been something of an oxymoron. Because of corporate policy, political agendas, and familial preferences, arts grantmakers have long worked in isolation from one another. Sure, we like one another, go to the same shows, eat the same special-event salmon, but collaborate and communicate on a regular basis? Well, if only...
From a talk given at the twelfth family foundations conference, February 1998, published in the 1998 25th anniversary issue of Noetic Sciences Review.
Is it possible for money to be a conduit for love? The word philanthropy carries the meaning "love of humanity." Modern philanthropy brings together two seemingly irreconcilable concepts: love and money. But if we read through all the annual reports of all the foundations for the last ten years, I'd wager we would be hard-pressed to find the word "love" mentioned more than ten times.
Entrepreneurship is a concept that receives considerably favorable attention in the nonprofit press. Whether referring to mission-related income ventures, non-traditional partnerships, or a redefinition of organizational culture, the word "entrepreneur" has an undeniably positive, even buoyant, connotation in today's nonprofit parlance.