Grantmakers in the Arts

by Steve

From Tom Mayhall Rastrelli, writing for the Statesman Journal:

Oregonians donated a record $4.56 million to the Oregon Cultural Trust in 2015. This is a 5.4 percent increase from the $4.331 million raised in 2014 and the largest annual increase in giving since the Great Recession. “This is a powerful vote of support for culture,” Brian Rogers, the trust’s executive director, said. “Every donation we receive is an Oregonian saying ‘Culture is important.’” The trust will distribute up to 60 percent of the donations by way of grants to more than 1,400 of Oregon’s cultural nonprofits. The remaining 40 percent will be placed in a fund currently valued at just more than $26 million. Before the passage of Senate Bill 441 in 2015, the trust could only distribute up to 42 percent of the funds raised.
by Steve

From the National Endowment for the Arts:

Today’s creative economy gets a big boost from the arts, according to new data from the National Endowment for the Arts and the U.S. Bureau of Economic Analysis. The latest figures cover 1998 to 2013 and they spotlight fast-growing arts industries, export trends, employment figures, consumer data, and more. In 2013, arts and cultural production contributed $704.2 billion to the U.S. economy, a 32.5 percent increase since 1998. Another key finding is that consumer spending on the performing arts grew 10 percent annually over the 15-year period. The Arts and Cultural Production Satellite Account (ACPSA) is the first federal effort to provide in-depth analysis of the arts and cultural sector's contributions to the economy.
by Steve

The Aspen Institute Artist-Endowed Foundations Initiative (AEFI) has announced the launch of a professional development program, the Seminar on Strategy for New Artist-Endowed Foundation Leaders that responds to the demand for professional development opportunities among new leaders entering this growing field. The 2016 Seminar will take place the week of June 6–10 in New York City.

by Steve

From E. San San Wong, Senior Program Officer at the Barr Foundation:

Three years ago, during the Boston mayoral race, artists, arts organizations, and engaged allies mobilized, lifted their voices, and called for greater support for the creative sector. This set the stage for Mayor Walsh to appoint Boston’s first cabinet-level arts chief in decades and to invite thousands of Bostonians to chart an inspirational course for their city through Boston Creates. Additionally, over these years, through the Barr-Klarman Arts Capacity Building Initiative, a cohort of arts and culture organizations have grown stronger and better capitalized to take artistic and organizational risks.
by Steve

Billed as an open conversation as opposed to a presentation of findings or the release of a report (that will be coming in June 2016) CREATIVZ.US asks what artists in the United States need to sustain and strengthen their careers. The project is managed as a partnership by the Center for Cultural Innovation and the National Endowment for the Arts Creativity Connects Initiative, with Helicon Collaborative providing research, and with support from Surdna Foundation and the Doris Duke Charitable Foundation. The goal now for CREATIVZ.US is to get broad input from as many artists and artist support providers as is possible. You can see the conversation happening at CREATIVZ.US.

by Steve in Racial Equity

Eleanor Savage, of the Jerome Foundation, penned this article in October 2015 for the Arts in a Changing America website:

by Steve

In an article from the latest issue of GIA Reader, Eric Booth, winner of the 2015 Americans for the Arts Education Leadership Award, makes the case for funders to support the work of the teaching artist in The Time Has Come for a National Field of Teaching Artistry.

by Steve

From Eileen Cunniffe and Julie Hawkins, writing for Nonprofit Quarterly:

There is ample evidence to demonstrate that nonprofit arts and culture organizations in the United States are rebounding from the Great Recession — albeit more slowly than other parts of the nonprofit sector. The 2014 National Arts Index compiled by Americans for the Arts notes that while the overall economic recovery began in 2009, it did not positively affect the arts until 2012. A report from the Urban Institute in 2014 showed that more arts, culture, and humanities nonprofits took the largest hit — proportionately — on revenue during the recession, and also had the largest decrease in total numbers of organizations of any of the subsectors studied.