Grantmakers in the Arts

November 1, 2019 by Carmen Graciela Díaz

For the month of November, GIA’s photo banner features work supported by Iowa Arts Council.

October 30, 2019 by Carmen Graciela Díaz in Diversity, Equity, and Inclusion

To expand its contemporary art department, the Baltimore Museum of Art (BMA) has hired Jessica Bell Brown and Leila Grothe as associate curators. They are joining a growing team of female curators at BMA led by chief curator Asma Naeem and fortified by senior research and programming curator Katy Siegel, reported Culture Type.

October 28, 2019 by Carmen Graciela Díaz in Arts Education

New York City’s P.S. 55 Benjamin Franklin, the pre-K to fifth grade public school in the Bronx recently announced a partnership with the nonprofit hip-hop outreach Windows of Hip-Hop and luxury watchmaker Bulova "to build the first-ever recording studio within a New York school, along with creating a hip-hop curriculum," Fast Company reports.

October 28, 2019 by Carmen Graciela Díaz in Philanthropic practice, Diversity, Equity, and Inclusion

Two foundations, Kresge and the Oregon Community Foundation, that are testing equitable evaluation shared some of their experiences in a recent webinar on advancing equitable evaluation offered by the Associations Advancing Equitable Evaluation Practices.

October 25, 2019 by Carmen Graciela Díaz in Arts and Social Justice, Diversity, Equity, and Inclusion

The Open Society Foundations announced recently the launch of its Culture and Art program, which "seeks to advance diverse artistic practices and strengthen locally-led cultural spaces around the world through grantmaking, capacity building, and convening power."

October 17, 2019 by Bree Davies in 2019 Grantmakers in the Arts Conference

Affordable housing for artists.

This topic is a hard one for me. I’m too invested. I know too much. I have had too many people close to me lose their housing and simultaneously, lose the place where they create art. For one of my friends, when he lost his home and his space to create art, he not long after, lost his life. Colin Ward, a fixture of Denver’s Do-It-Yourself arts community, died by suicide on February 1st, 2018, fourteen months after he was evicted from his home, the internationally-recognized art space, Rhinoceropolis. After the surprise eviction, Colin’s life was never the same; many of us close to him saw a direct connection between his displacement and his death.

October 16, 2019 by Ray Rinaldi in 2019 Grantmakers in the Arts Conference

The Black Art Futures Fund was a topic of great curiosity at the 2019 GIA conference, if only because it seemed to the GIA crowd that founder DéLana R.A. Dameron is on to something new with her start-up funding effort.

And so the session titled Our Beloved Community: Collaborative grantmaking, which formally introduced the project to attendees drew an eager audience, even though it started at 8 a.m. Wednesday morning. The room was packed.

October 16, 2019 by Ray Rinaldi in 2019 Grantmakers in the Arts Conference

It takes some courage to come to a conference of funders and tell them what they do wrong. In no uncertain terms. Especially if you are an organization that could use their money.

But there was a lot of that at the Tuesday morning panel titled: Expressions for Justice: Grantmaking in the arts for systems change. The exchange was open, and maybe the most direct of the entire GIA conference.