Private Foundation

Private Foundation

by giarts-ts-admin

Last year when RAND released The Performing Arts in a New Era, (Performing Arts) the prediction that times were going to be particularly difficult for mid-sized performing arts organizations was widely quoted. It was prominent in press coverage of the report and quickly embraced as a fact by grantseekers and foundation colleagues. I was curious to return to Performing Arts and the conditions it cites for organizations in the middle, to see how they apply to readings of recent field reports for different performing arts disciplines.

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by giarts-ts-admin
"A creative economy is the fuel of magnificence."
— Ralph Waldo Emerson (1802-1882)

We just returned from yet another community gathering where arts leaders sought the support of their business and civic counterparts by documenting the "economic impact" of arts spending and employment in their region.

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by giarts-ts-admin

2000, 77 pages. NEA, 1100 Pennsylvania Avenue, NW, Washington, D.C., 20506-0001, 202-682-5400.

In 1999, Bill Ivey, as a part of his reevaluation of the NEA's funding strategies, convened a series of ten colloquia to discuss how arts institutions can more effectively serve their communities. Forty-one speakers participated; about half are well-known to GIA members and the other half included experts from intersecting fields such as advertising, entertainment, Internet services, and charitable gift funds.

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by giarts-ts-admin

2002, 64 pages. Museum Loan Network, MIT, 265 Massachusetts Avenue, N52-401, Cambridge, MA 02139-4307, 617-252-1888, fax: 617-252-1899, loanet@mit-edu.

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by giarts-ts-admin

April 28-30, 2002, Asheville, North Carolina

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by giarts-ts-admin

March 6-8, 2002, Washington, D.C.

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by giarts-ts-admin

April 17-21, 2002, Lexington, Kentucky

• A bilingual play brings together migrant workers and immigrant rights activists in a pointed comedy portraying communications and miscommunications among Anglos and Spanish-speaking peoples living in and working in one community today.

• An African American theater company performs a rollicking — but serious — romp through the cultural changes from Motown to hip-hop, from soul food to vegan, from post-60s to post-modern America.

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by giarts-ts-admin

2001, 345 pages. The MIT Press.

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by giarts-ts-admin

2001, 80 pages, $7.00. Dance/USA, Washington, DC, 1156 15th Street, N.W., Suite 820, Washington, D.C. 20005-1704, 202-833-1717, danceusa@danceusa.org.

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by giarts-ts-admin

2001-2002, 51 pages. Witter Bynner Foundation for Poetry, P.O. Box 10169, Santa Fe, New Mexico 87504, 505-988-3251.

The Reader rarely reviews foundations' annual reports, but makes exceptions on occasion — in this case for the Witter Bynner Foundation for Poetry's reaching its 30th year of grantmaking. The handsome 2001 Witter Bynner commemorative report is engaging to read, and presents grant descriptions alongside poems by supported writers, presses, students, and presenting programs.

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