Arts and Community Development

March 2004, 27 pages. Project on Regional and Industrial Economics, Humphrey Institute of Public Affairs, University of Minnesota, 301 19th Avenue, Room 231, Minneapolis, MN 55455, (612) 625-8092, amarkusen@hhh.umn.edu or gshrock@hhh.umn.edu or mcameron@hhh.umn.edu, www.hhh.umn.edu

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These remarks were presented at the Art Museum Development Association Conference at the Getty Center in Los Angeles on April 23, 2004. They are presented here with permission from John Killacky.

Keeping dreams alive in this period of draconian change is daunting, but I am a hopeful person. This is not the time to merely work harder to make things better. We need to adapt and work differently.

The full text of this article is not yet available on this site. Below is a brief excerpt.

2003, 15 pages. The Urban Institute/Wallace Foundation, www.wallacefoundation.org or www.urban.org

Many grantmakers express a heightened interest in learning more about cultural participation. Research about who participates, what motivates people to participate and the barriers to participation provides valuable data to cultural organizations and funders seeking to broaden, deepen, and diversify audiences for these offerings.

November 2002, 36 pages. Center for an Urban Future, 212-479-3338, www.nycfuture.org

July 2003, 25 pages. Project on Regional and Industrial Economics, Humphrey Institute of Public Affairs, University of Minnesota, 301 S. 19th Avenue, room 231, Minneapolis, MN 55455, (612) 625-8092

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   The Artistic Dividend (1.6Mb)

May 2003, 272 pages. Southern Illinois University Press, Robert A. Shanke, Theater in America Series, editor, 800-346-2680 or 618-453-2281, www.siu.edu/~siupress

The Animating Democracy National Exchange on Art and Civic Dialogue
Flint, Michigan, October 9-12, 2003

The full text of this article is not yet available on this site. Below is a brief excerpt. You can order a hard copy of the Reader in which it was published.

"To host the number one Hip Hop festival in the United States" — that is Larry Goldman's vision. Two years ago Mr. Goldman, president and chief executive officer of the New Jersey Performing Arts Center (NJPAC), charged Baraka Sele, curator/producer of NJPAC's World Festival: Alternate Routes, with bringing this statement to fruition. Over four days this fall (October 31, 2002 through November 3, 2002) NJPAC became one of the first major U.S. performing arts centers to host a festival dedicated to exploring and promoting Hip Hop.