Philanthropic practice

Why will some people engage with art in one setting, but not another? For example, why will someone watch great drama on television at home, but never darken the door of a theater? Why will someone listen to classical music in a place of worship, but not a concert hall?

Enriching our culture and engaging diverse and underserved communities, small arts organizations pop up, flourish, and sometimes flounder, mostly under the philanthropic radar. They often foster artistic expressions not adequately served by larger organizations.

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   Forum on Equity in Arts Funding (1.6 Mb)

20 pages, March 2012. Grantmakers for Effective Organizations, 1725 DeSales Street NW, Suite 404, Washington, DC, 20036, (202) 898-1840, www.geofunders.org.

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   Is Grantmaking Getting Smarter? (2Mb)

February 2012, 31 pages. The Paul G. Allen Family Foundation, 505 5th Avenue South, Suite 900, Seattle, WA 98104, www.pgafoundations.com.

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Caron Atlas, Project Director and Editor. 2011, 200 pages, Arts and Democracy Project, Brooklyn, New York

Bridge Conversations is an inspiring collection of interviews, dialogues, and essays with artists, arts administrators, activists, and politicians using the arts to build, reflect, and improve community. It is thoughtfully constructed and inclusive in those selected to participate, their topics, and their approaches.

PLAYWRIGHT:

In recent years the United States has developed into an increasingly pronounced class society. We see it in the growing inequality of income and wealth; we witness it in the expansion of corporate power and influence at a time when blue-collar job status is on the decline; and we view it in the daily depiction of our lives on our television screens.

There is no doubt that the face of art and culture in the United States is changing.

October 2011, 32 pages. Monitor Institute, 101 Market Street, Suite 1000, San Francisco, CA, 94101, (415) 932-5300 www.monitorinstitute.com.