Readings

Having worked with panels since my first job in philanthropy at the National Endowment for the Arts, thirty years ago, I am always interested in learning more about how to make the panel system better. Discussions about process, scoring systems, panel adjudication methods, conflict of interest, panel recruitment, multistep review processes, criteria, and more are infinitely fascinating to me and at the heart of improving our own work at the Jerome Foundation.

As a society and country, we continue to struggle with the legacy of racism and the structural barriers that have been created to privilege some while oppressing others. Building racial equity and social justice takes dedication, inspiration, honesty, and a willingness to admit and learn from our failures. There are no foolproof guides or programs, nor one right path to achieving racial equity. It becomes a daily practice to question norms and work to make change.

A friend once asked me to hang out. Remembering how long it had been since I’d last seen her, I was beyond excited to get together. It wasn’t until her response to where I resided that my excitement quickly faded. “I’ll pick you up. Where do you live?” “East Oakland.” My reply was met with an “oh…” expressing nothing but empty judgment. Now being born from the soil home to oak trees, sideshows, Kwik Way, and everything hyphy, my cultured mind couldn’t understand. I wanted so badly to reprimand her for her empty opinions based on images she saw on ABC7 news. To her, Oakland is baby Iraq.

When tasked with presenting the dynamic and multiscalar ecosystem of arts and culture in the Bay Area, the Grantmakers in the Arts team knew that we needed to call upon those engaging deeply with the forces effecting change. Given the evolving nature of space availability, access, and affordability in cities, any system of disruption will, by design, engage a diversity of stakeholders and intervene at multiple levels. From the strongly held position that the arts drive strong, vibrant, diverse communities, Community Arts Stabilization Trust (CAST) exemplifies one such model.