The League of American Orchestras’ upcoming national conference in Detroit falls just days before the fiftieth anniversary of the 1967 Detroit uprising, the largest urban disruption in America since the Civil War. According to Detroit Symphony Orchestra (DSO) president Anne Parsons, the 1967 riot was the context for the orchestra’s fellowship program for African American musicians.
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What comes to mind when you hear the phrase cultural policy? Given the GIA Reader’s audience, I imagine answers that run the gamut from dry-as-dust studies to brilliant proposals for weaving new cultural fabric.
But in my role as Chief Policy Wonk for the U.S. Department of Arts and Culture (USDAC), when I set out to write about our new generative cultural policy proposals in An Act of Collective Imagination: The First Two Years of the USDAC’s Action Research, I had a whole different audience in mind: people who may never have heard the phrase before.
Enriching our culture and engaging diverse and underserved communities, small arts organizations pop up, flourish, and sometimes flounder, mostly under the philanthropic radar. They often foster artistic expressions not adequately served by larger organizations.
Dr. Martin Luther King Jr. Strength to Love, 1963
2007, 29 pages. Grantcraft, 320 East 43rd Street, New York, NY, 10017, 212-573-4879, www.grantcraft.org
http://www.grantcraft.org/index.cfm?fuseaction=page.viewpage&pageid=840
2002, 125 pages, ISBN 0-89843-353-3. Published by Aspen Institute, One Dupont Circle NW, Washington, DC, 20036-1133, publications@aspeninstitute.org
Download pdf: http://www.aspeninstitute.org/site/apps/ka/ec/product.asp?c=huLWJeMRKpH&b=667387&ProductID=180723
Such thing as flowers bathed by rain
Or patterns traced upon the sea
Or crocuses where snow has lain . . . .
The iridescence of a gem,
The moon's cool opalescent light,
Azaleas and the scent of them,
And honeysuckles in the night.
— African American poet Gwendolyn Bennett, “Sonnet II” 1
The following essay was jointly commissioned by Grantmakers in the Arts for its 2002 annual conference and by the Funders' Network for Smart Growth and Livable Communities as one in its series of Translation Papers.
Introduction