Grantmakers in the Arts began work on capitalization in 2010. Ever since then we’ve debated not using the word “capitalization,” but it has prevailed. In our work, the term is synonymous with financial health and the resources needed to meet an organization’s mission. In 2010, GIA published recommendations for grantmakers regarding actions they could take that would improve the undercapitalized nature of the nonprofit arts sector.
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The GIA Library is an information hub that includes articles, research reports, and other materials covering a wide variety of topics relevant to the arts and arts funding. These resources are made available free to members and non-members of GIA. Users can search by keyword or browse by category for materials to use in research and self-directed learning. Current arts philanthropy news items are available separately in our news feed - News from the Field.
Every decade or two, the professions of architecture and city planning are captivated by a movement with a particularly catchy name. Currently, the popular term is placemaking — a fairly loose term that is running neck and neck with “sustainability.” Within the design professions, this movement — really more a philosophy — suggests that people’s lives can be made better by intentionally designing interior and exterior spaces to embrace a wide range of users, provide for safety, and create artful expressions that endure over time.
I’m sitting with sixteen artists around a table filled with Russian food. As we introduce ourselves, a poet says, “I’d like to share my work with you all later.”
“Now, now! Go ahead!” the others respond.
The poet nods, stares down at her plate, taking a few seconds to compose herself, and begins:
I don’t wanna see you hangin’ round my place
if I do I’ll hit you square in ya ugly face
wit’ straight white vinegar and tea tree oil
’cuz just a trace-a you and my blood begins to boil
Black mold.
Black mold.
if I do I’ll hit you square in ya ugly face
wit’ straight white vinegar and tea tree oil
’cuz just a trace-a you and my blood begins to boil
Black mold.
Black mold.
Lives are snowflakes — unique in detail, forming patterns we have seen before, but as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There’s not a chance you’d mistake one for another, after a minute’s close inspection.)
— Neil Gaiman, American Gods
— Neil Gaiman, American Gods
Immediately following Hurricane Sandy, the Andy Warhol, Lambent, and Robert Rauschenberg Foundations (“the primary funders”) approached the New York Foundation for the Arts to administer a fund to provide grants to individual artists in all disciplines from Connecticut, New Jersey, and New York. In addition to the substantial and catalytic support from the three foundations, NYFA also raised additional funds for this project through further donations from our generous individual and institutional supporters and collaborators.
While I was volunteering at the Park Slope Armory evacuation shelter I asked for advice from a member of the clergy when I encountered a problem I couldn’t solve. He told me to follow my instinct. I said I didn’t trust my instinct; the situation was far beyond my experience. He responded, “This is your opportunity to stretch yourself.” A lot of stretching has been going on in the aftermath of Hurricane Sandy. People, organizations, and communities have been coming together to meet a challenge and stretch in ways we had no idea were pos-sible.
As a writer who often ponders music and its many audiences, I spend a lot of time thinking about how some artists thrive, while others don’t, in places far from their first home. As listeners, members of an audience, we hear something that feels real, powerful, to us, and we feel connected to the experience of someone who may seem not much like us. From this experience we have a single urgent response: how can we share this with the world? You’ve got to hear this…
From John Butman, writing for Harvard Business Review:
There is a new player emerging on the cultural and business scene today: the idea entrepreneur. Perhaps you are one yourself — or would like to be. The idea entrepreneur is an individual, usually a content expert and often a maverick, whose main goal is to influence how other people think and behave in relation to their cherished topic. These people don't seek power over others and they're not motivated by the prospect of achieving great wealth. Their goal is to make a difference, to change the world in some way.
From David Itzkoff, writing for The New York Times:
The director of the Detroit Institute of Arts said on Friday that he believed the museum’s collection was “held in the public trust” and could not be sold by the city to help pay down its multibillion-dollar debt, and that he expected the city’s emergency manager and his office to reach the same conclusion.