2002, 72 pages. ISBN 0-9676467-6-6. Published by Art International, 251 Park Avenue South, New York, NY, 10010-7302, 212-674-9744, www.artsinternational.org
Online: http://www.artsinternational.org/knowledge_base/wp/PhaseII/ica2_toc.htm
Contact GIAGIA Reader PublicationBecome A GIA Member
450 Lexington Ave, Unit 4501 | New York, NY | gia@giarts.org
The GIA Library is an information hub that includes articles, research reports, and other materials covering a wide variety of topics relevant to the arts and arts funding. These resources are made available free to members and non-members of GIA. Users can search by keyword or browse by category for materials to use in research and self-directed learning. Current arts philanthropy news items are available separately in our news feed - News from the Field.
2002, 72 pages. ISBN 0-9676467-6-6. Published by Art International, 251 Park Avenue South, New York, NY, 10010-7302, 212-674-9744, www.artsinternational.org
Online: http://www.artsinternational.org/knowledge_base/wp/PhaseII/ica2_toc.htm
Following up on Stan Hutton's introduction to arts blogs in the last Reader, in this issue we're looking at the beginnings of the philanthropic blogosphere. As with many blogs covering a specific field, philanthropic blogs tend to offer either personal journals of opinion and ideas or periodic news round-ups, brief abstracts of articles or publications and links to the original. Some, of course, provide both.
2002, 127 pages. The Center for an Urban Future, New York, NY, 212-479-3344, www.nycfuture.org.
"Without getting on a soapbox, I would say that dancing is as much a calling as it is anything else. Don't think of it as a career. You're stupid if you do. You've got to have something burning in your gut that you want to express."
“I don't want people who want to dance, I want people who have to dance.”
Ensembles are marked by a sustained commitment to collaboration..... The ensemble process allows for the development of a distinctive artistic vision and language unique to all artists involved.
— excerpt from the Flintridge Foundation theater mission
When the Council on Foundations meets in Toronto this April, GIA members in attendance will have the chance to meet a fledgling affinity group of Canadian arts funders that is putting together the 1st Canadian Arts Funders Forum.
2002, 30 pages, Cultural Initiatives Silicon Valley. To order a copy, contact Brendan Rawson, brendan@ci-sv.org or 408-283-8506
Each of the following Web sites is located somewhere on a continuum between the state of the union and the state of the arts.
The Web is a particularly effective medium for creating visual diagrams of events and practices from daily life. According to Paul Miller, one site's creator, we live in a "world of uncertainty." Each of the following sites, in its own way, diagrams an aspect of our uncertain world.
The first site delineates the historical context for current Web projects.
A labor of love for individuals committed to the significance and potential of media, Why FUND Media is a timely and worthy follow-up to a 1984 publication by the Council on Foundations titled How to Fund Media. Editor Karen Hirsch seamlessly brings together a series of separate chapters written by media arts experts who've based their chapter essays on extensive consultations with field representatives and grantmakers, and on historical research.
Sitting across the broad desk from David Bergholz, in an office that is clearly being packed up as he pre-pares to retire after fifteen years as president and CEO of the George Gund Foundation, there is a poignant juxtaposition that is very hard to miss. Just outside his office's large, eighteenth floor windows is a magnificent view of the industrial might that made Cleveland a player in years past; huge barges moving under steel bridges that cross an impossibly crooked river. The pewter river flanked by smoking chimneys and orderly cones of slag and salt and iron ore.