2004, 58 pages. Alliance for Justice, www.allianceforjustice.org, 202-822-6070
Download Report: http://www.afj.org/for-nonprofits-foundations/resources-and-publications/pay-for-publications/investing-in-change-1.html
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The GIA Library is an information hub that includes articles, research reports, and other materials covering a wide variety of topics relevant to the arts and arts funding. These resources are made available free to members and non-members of GIA. Users can search by keyword or browse by category for materials to use in research and self-directed learning. Current arts philanthropy news items are available separately in our news feed - News from the Field.
2004, 58 pages. Alliance for Justice, www.allianceforjustice.org, 202-822-6070
Download Report: http://www.afj.org/for-nonprofits-foundations/resources-and-publications/pay-for-publications/investing-in-change-1.html
The lines between arts and environmental grantmaking often are sharply drawn. However, in the life of thriving communities, the two are integrally linked. As part of a roundtable discussion at last October's GIA conference, it was heartening to share vivid examples of how GIA members are exploring the intersections of environment and art.
Early in 2004, the Graduate Center of the City of New York convened ten small to mid-sized arts organizations to talk about what had happened to them in an experimental, internet-based project funded by the Ford Foundation. The ten, from across the country, are community-based cultural organizations; they share a commitment to emerging and experimental artists and art forms, and a commitmentequally firmto their local or nearby communities. Despite their similarities of mission, the ten were not familiar with each other's work.
I believe it is time to begin a conversation about a new model for building a vibrant arts landscape. Since I left federal service in the fall of 2001, I have had an opportunity rare for former chairmen of the National Endowment for the Artsthe chance to create a research center engaging the very issues that fascinated me during my tenure with the endowment.
Following up on Stan Hutton's introduction to arts blogs in the last Reader, in this issue we're looking at the beginnings of the philanthropic blogosphere. As with many blogs covering a specific field, philanthropic blogs tend to offer either personal journals of opinion and ideas or periodic news round-ups, brief abstracts of articles or publications and links to the original. Some, of course, provide both.
2002, 127 pages. The Center for an Urban Future, New York, NY, 212-479-3344, www.nycfuture.org.
"Without getting on a soapbox, I would say that dancing is as much a calling as it is anything else. Don't think of it as a career. You're stupid if you do. You've got to have something burning in your gut that you want to express."
“I don't want people who want to dance, I want people who have to dance.”
Ensembles are marked by a sustained commitment to collaboration..... The ensemble process allows for the development of a distinctive artistic vision and language unique to all artists involved.
— excerpt from the Flintridge Foundation theater mission
When the Council on Foundations meets in Toronto this April, GIA members in attendance will have the chance to meet a fledgling affinity group of Canadian arts funders that is putting together the 1st Canadian Arts Funders Forum.
2002, 30 pages, Cultural Initiatives Silicon Valley. To order a copy, contact Brendan Rawson, brendan@ci-sv.org or 408-283-8506