The fall 2002 issue of the Reader (volume 13, number 3) introduced an ongoing feature, "Why Art?" as a response to GIA's goal to strengthen the role of arts and culture in philanthropy and in society as a whole. This Reader feature aims to help members and others make stronger arguments for the support of arts and culture by sharing examples of arguments, case statements, insights, and stories that convey the multifaceted role that culture, the arts, and artists play in our society, neighborhoods, and individual lives.
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The GIA Library is an information hub that includes articles, research reports, and other materials covering a wide variety of topics relevant to the arts and arts funding. These resources are made available free to members and non-members of GIA. Users can search by keyword or browse by category for materials to use in research and self-directed learning. Current arts philanthropy news items are available separately in our news feed - News from the Field.
2004. Centre for Creative Communities, 118 Commercial St., London E16NF, UK.
July 2004, 76 pages. The Community Arts Network
Download: The State of the Field of Community Cultural Development: Something New Emerges from the Community Arts Network.
Description and review is here.
I believe it is time to begin a conversation about a new model for building a vibrant arts landscape. Since I left federal service in the fall of 2001, I have had an opportunity rare for former chairmen of the National Endowment for the Artsthe chance to create a research center engaging the very issues that fascinated me during my tenure with the endowment.
Catherine Maciariello
This panel intends to examine the purpose and value of what we do from the personal, institutional, and public perspective. We ask your indulgence and ask you to fly with us at 35,000 feet. We are talking about relationships, multiple meanings, and civic dialogue that enable an exchange of ideas that elevate and enrich both art-making and civic life.
Edited by Barbara Rich, Ed.D, Jane L. Polin, Stephen J. Marcus
2003, 164 pages. The Dana Foundation, 745 Fifth Avenue, Suite 900, New York, NY 10151, 212-223-4040, daninfo@dana.org, www.dana.org.
A labor of love for individuals committed to the significance and potential of media, Why FUND Media is a timely and worthy follow-up to a 1984 publication by the Council on Foundations titled How to Fund Media. Editor Karen Hirsch seamlessly brings together a series of separate chapters written by media arts experts who've based their chapter essays on extensive consultations with field representatives and grantmakers, and on historical research.
The following piece was excerpted from The Arts Dynamic, a report of the San Antonio Arts in Education Task Force (see review on page 36), published earlier this year. The study's principal funder was GIA member, the Kronkosky Charitable Foundation.
Why the fine arts in education are vital
Ramon C. Cortines, executive director of the Pew Network for Standards-Based Reform at Stanford University, comments: