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The GIA Library is an information hub that includes articles, research reports, and other materials covering a wide variety of topics relevant to the arts and arts funding. These resources are made available free to members and non-members of GIA. Users can search by keyword or browse by category for materials to use in research and self-directed learning. Current arts philanthropy news items are available separately in our news feed - News from the Field.

The Risk of Hopelessness

On June 2, 2015, Alternate ROOTS Executive Director, Carlton Turner, presented the following as a keynote address at the Grantmakers in the Arts Racial Equity Forum in Atlanta, Georgia.

Introduction: Georgia Men

“Black people did not come back from Georgia.”

“A man or woman that had learned that they might be taken south might do anything.”

“A man who had to see his son stand naked before buyers might do anything.”

Telling It Slant

Art is not magic; most artists are not all that different from other people. However, many of them developed a skill or asset that most of us haven’t: a fascination for the undercurrent in our society, in our social encounters, in our practices, in our organizations.
 —  Jaap Warmenhoven, Stanford Social Innovation Review

Diversity In The Arts

September 2015, 58 pages. DeVos Institute of Arts Management, 1300 Pennsylvania Ave NW, Suite 410, Washington, D.C. 20004. (301) 314-0963. www.devosinstitute.net.

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Who We Be: The Colorization of America

Jeff Chang. 2014, 403 pages, St. Martin’s Press, New York, NY

US Cultural Engagement with Global Muslim Communities

The opportunities to connect communities through culture and to use that cultural engagement to educate one another are simultaneously compelling and challenging to cultural foundations and philanthropists. Recent reports and research provide strong arguments and preliminary insights into ways that culture can advance engagement across boundaries, both geographic and societal. But the most challenging efforts may be those intended to connect the United States to Muslim populations abroad.

Paying Attention to White Culture and Privilege

Introduction

Tejano: Local Music, Global Identity


Flaco Jiménez with Los Caminantes (the band he made his first recordings with for Rio Records). San Antonio, mid to late 1950s. Photo courtesy the Arhoolie Foundation, all rights reserved.

Establishing a Creative Economy

July 2013, 40 pages. First Peoples Fund, P.O. Box 2977, Rapid City, South Dakota, 57709, firstpeoplesfund.org.

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Striking a Chord: Notes on Supporting Musicians

As a writer who often ponders music and its many audiences, I spend a lot of time thinking about how some artists thrive, while others don’t, in places far from their first home. As listeners, members of an audience, we hear something that feels real, powerful, to us, and we feel connected to the experience of someone who may seem not much like us. From this experience we have a single urgent response: how can we share this with the world? You’ve got to hear this…

Dancing in the Streets Busts a South Bronx Move

“As this has never been done before, we have no idea what we’re doing today,” Joanna Haigood half-joked at the launch of Paseo, less a walking tour than a movable, danceable feast, a peripatetic block party that, for one delightful hour, would twist through the South Bronx neighborhoods of Hunts Point and Longwood.