Headquartered in Atlanta, Georgia, South Arts is a nonprofit regional arts organization empowering artists, organizations, and communities, and increasing access to arts and culture. In partnership with the National Endowment for the Arts and the State Arts Agencies of Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, and Tennessee — with additional funding from other public and private donors such as the Doris Duke Charitable Foundation, the Ford Foundation, and The Andrew W. Mellon Foundation — South Arts supports artists and organizations through a rich and responsive portfolio of grants, fellowships, and programs.
The Doris Duke Charitable Foundation has announced nearly $1 million in grant funding through its Creative Inflections program, a first-of-its-kind initiative to support leading jazz artists and presenting organizations in innovative collaborations that enable artists to take creative risks and expand the genre’s listenership by attracting younger and more diverse audiences.
The Foundation for Contemporary Arts (FCA) in New York has announced that Kay Takeda is appointed to be their Executive Director, effective March 28.
Takeda has worked in the field for more than 25 years, most recently as the Deputy Director of Artist Programs at the Joan Mitchell Foundation, and has demonstrated her commitment to strengthening support structures that make it possible for artists to continue creating, innovating, and sharing their work.
This report, published by Upstart Co-Lab, details six creative econonmy investments by the Upstart member community in 2020 and 2021. Their member community possesses Upstart Co-Lab's proprietary knowledge of funds, direct company investment opportunities, and real estate projects while maintaining discretion over their investment decisions.
The U.S. Senate has voted to confirm Dr. Maria Rosario Jackson as the 13th chair of the National Endowment for the Arts. She had been nominated for the position in early October. Dr. Jackson has had a long career in strategic planning, policy research, and evaluation with philanthropy, government, and nonprofit organizations. Her work appears in a wide range of professional and academic publications, this website included.
Victoria Foundation announced yesterday that Sharnita C. Johnson will serve as the Foundation’s Vice President of Strategy, Impact and Communications. In this new position, Johnson will provide oversight and management of all programmatic activities and ensure alignment with the Foundation goals and values.
Earlier this month, Candid and the Center for Disaster Philanthropy (CDP) released the eighth edition of its annual Measuring the State of Disaster Philanthropy report. In it, they examined available 2019 data on global disaster-related philanthropy, analyzing funding from foundations, bilateral and multilateral donors, the U.S. federal government, corporations, and donations through donor-advised funds (DAFs) and online platforms.
As cities increasingly use data to help shape policy and identify service gaps, what does this mean for arts and culture? The topic often generates skepticism around identifying metrics that capture the impact of the arts. But as the creative sector continues to emerge from the Covid-19 pandemic, data will be increasingly critical to shape policy, establish more equitable and inclusive practices, and affirm the importance of arts and culture as a public service well into the future.
The Arts Education for All Act is the broadest arts education policy bill ever introduced in Congress, and is currently working its way through the legislative process. Grantmakers in the Arts, in partnership with Americans for the Arts and National Association of Music Merchants, invites you to join us in formally supporting this legislation. You can learn more about the bill here, and submit this form to express support.
Farhad Ebrahimi, founder and president of the Chorus Foundation in Boston, MA, writes for The Forge on the subject of private philanthropy's future, and the structural reforms that are needed:
Philanthropy as it’s conventionally understood is the product of racial capitalism. As a result, I see progressive — or even radical — private philanthropy as, at best, a transitional form. If we seek to support transformational work, then we ourselves must be open to transformation. I like to think of this as a “just transition” for the philanthropic sector: we must directly challenge the conditions that produced the wealth inequality that allowed for private philanthropy in the first place.