The U.S. Senate has voted to confirm Dr. Maria Rosario Jackson as the 13th chair of the National Endowment for the Arts. She had been nominated for the position in early October. Dr. Jackson has had a long career in strategic planning, policy research, and evaluation with philanthropy, government, and nonprofit organizations. Her work appears in a wide range of professional and academic publications, this website included.
Victoria Foundation announced yesterday that Sharnita C. Johnson will serve as the Foundation’s Vice President of Strategy, Impact and Communications. In this new position, Johnson will provide oversight and management of all programmatic activities and ensure alignment with the Foundation goals and values.
Earlier this month, Candid and the Center for Disaster Philanthropy (CDP) released the eighth edition of its annual Measuring the State of Disaster Philanthropy report. In it, they examined available 2019 data on global disaster-related philanthropy, analyzing funding from foundations, bilateral and multilateral donors, the U.S. federal government, corporations, and donations through donor-advised funds (DAFs) and online platforms.
As cities increasingly use data to help shape policy and identify service gaps, what does this mean for arts and culture? The topic often generates skepticism around identifying metrics that capture the impact of the arts. But as the creative sector continues to emerge from the Covid-19 pandemic, data will be increasingly critical to shape policy, establish more equitable and inclusive practices, and affirm the importance of arts and culture as a public service well into the future.
The Arts Education for All Act is the broadest arts education policy bill ever introduced in Congress, and is currently working its way through the legislative process. Grantmakers in the Arts, in partnership with Americans for the Arts and National Association of Music Merchants, invites you to join us in formally supporting this legislation. You can learn more about the bill here, and submit this form to express support.
Farhad Ebrahimi, founder and president of the Chorus Foundation in Boston, MA, writes for The Forge on the subject of private philanthropy's future, and the structural reforms that are needed:
Philanthropy as it’s conventionally understood is the product of racial capitalism. As a result, I see progressive — or even radical — private philanthropy as, at best, a transitional form. If we seek to support transformational work, then we ourselves must be open to transformation. I like to think of this as a “just transition” for the philanthropic sector: we must directly challenge the conditions that produced the wealth inequality that allowed for private philanthropy in the first place.
Lara Davis reports from day 2 and day 3 of the Oakland conference:
I got up at 6:00 AM on the final day of the conference to attend a 7:30 AM session (ouch!) on Impact Investing in the Creative Economy. For most of us in the room, impacting investing was a newer concept. We were eager to learn about the diversity of resources available to build and sustain art-making endeavors through both philanthropic and investment opportunities.
Blogger Tram Nguyen offers some of her initial takeaways following the 2018 GIA Conference in Oakland, California:
Blogger Lara Davis reports on day one (Monday) at the GIA Conference in Oakland
Today’s post focuses primarily on young people and the arts, and artists, with a little bit of, well, everything that’s inspiring me.
GIA Conference blogger Lara Davis turns in her initial notes on the 2018 GIA Conference in Oakland, California.
When I walk the streets of downtown Oakland to attend various conference sessions, I think of Angela Davis who wrote about art on the frontlines, cultural organizing at the intersection of art and activism – people’s art as she deemed it, as exemplified by struggles for Black liberation which have always been steeped in musical, artistic, and cultural narratives.