Surprise Art Bus. Photo courtesy ArtsWave. |
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Classical Roots Concert, 2011. Photo Mark Lyons. Courtesy Cincinnati Symphony Orchestra. |
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Sampler Weekend: Artworks Mural Tour. Photo Mikki Schaffner. |
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Paint the Street, September 2010. Photo Scott Beseler. |
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Paint the Street, September 2010. Photo Scott Beseler. |
3Arts Awardee Kareem Bandealy, Actor |
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3Arts Awardee Juan Angel Chavez, Sculptor |
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3Arts Awardee Norman Long, Sound Artist |
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3Arts Awardee Cecil McDonald Jr., Teaching Artist |
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3Arts Awardee Luis Romero, Works on Paper |
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3Arts Awardee Alison Siple, Costume Designer |
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Mountain View Garden Art Park, courtesy Rasmuson Foundation. |
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University of Alaska Southeast, Auke Lake Trail, courtesy Rasmuson Foundation. |
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Terry Adkins in Nome, Alaska, courtesy of the artist. |
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Eccentric Theater Company production, courtesy Eccentric Theater Company. |
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Git Hoan dance performance, Auke Bay Elementary School, courtesy Sealaska Heritage Institute. |
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Dr. Sven Haakanson Jr., Executive Director, Alutiiq Museum and Archaeological Repository. |
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Turandot: Perseverance Theater, courtesy Perseverance Theater. |
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Day of the Dead Festival Courtesy of Marigold Project |
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Overview of "One Day: A Collective Narrative of Tehran" Pictured, on the wall left to right: Abbas Kowsari, Ghazaleh Hedayat, Mehran Mohajer, Taraneh Hemami (on floor) Photo: Scott Chernis |
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Diaspora Tale #2: 1969 produced by Asian Improv aRts Credit: Andy Nozaka |
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CONTRA-TIEMPO Photo: Jenn Tamera |
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From "Ecdisis" Untitled BROKEN GLASS SHARDS, RESIN, HOT GLUE 3′X5′X8′ Photo: John Wilson White |
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Black Choreographers Festival, Dancer: L.Ellis Photo: Andy Mogg |
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Grupo Jaranero Mayab Courtesy of Asociacion Mayab |
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Dancers (clockwise from bottom left): Rachael Lincoln, Mark Stuver, Damara Ganley, Melecio Estrella, Roel Seeber, Anje Lockhart Photo: Todd Laby |
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From Sleeper Cells Courtesy of the artist |
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Robin Burke and Marcel Cabrera, From the Garden, 2007, still from video, (13 minutes). This video celebrates the interactions of students and the community with the first school garden and farmer's market at Louisville, Kentucky‚s Meyzeek Middle School. |
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Robin Burke and Marcel Cabrera, From the Garden, 2007, still from video, (13 minutes). This video celebrates the interactions of students and the community with the first school garden and farmer's market at Louisville, Kentucky‚s Meyzeek Middle School. |
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Robin Burke and Marcel Cabrera, From the Garden, 2007, still from video, (13 minutes). This video celebrates the interactions of students and the community with the first school garden and farmer's market at Louisville, Kentucky‚s Meyzeek Middle School. |
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Robin Burke and Marcel Cabrera, From the Garden, 2007, still from video, (13 minutes). This video celebrates the interactions of students and the community with the first school garden and farmer's market at Louisville, Kentucky‚s Meyzeek Middle School. |
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Mari Mujica, El Miedo (The Fear), from the series "Latina Immigrants," 2011, digital photograph. El miedo es que al buscar un trabajo no sabes si esa persona te va a ayudar o te va a entregar a migración. Otro es el miedo porque no sabes leer ni escribir. Entonces ese es el miedo que tenemos. The fear is that in looking for a job one doesn't know if the person is going to help you or give you to immigration. The other fear is because you do not know how to read or write. Those are the fears that we have. XXXXXX. Emigré de Guatemala a los 24 años. Me encanta ayudar a las personas. Mi plan es lograr traer a mis otros hijos para tener a mi familia completa y salir adelante con las niñas y seguir trabajando y seguir ayudando a las personas. Estoy contenta de salir adelante con mis hijos. Me cuesta que soy mama y papá pero sé que puedo trabajar y salir adelante. Estoy contenta por eso. Lo más dificil de ser una madre immigrante es que no puedes trabajar por no tener papeles y hablar ingles y no saber ni leer ni escribir. Estoy contenta de vivir en este pais porque la ayuda que recibí yo ahora se la puedo dar a las personas. Antes no sabía que yo podia ayudar. Ahora sí. XXXXXX. Emigrated from Guatemala when I was 24. Something I love to do is helping people. My dream is to be able to bring my other children to this country so that my family will be complete and I can come out ahead with my daughters. Although I am happy to have the opportunities provided to me and my family in this country, it is still difficult being a single parent and being both mother and father to my children. The hardest thing about being an immigrant mother is not being able to work because you don't have documents, nor can you read, write, or speak English. I am happy that I live in this country because I have received lots of help and now I am able to help others. Before, I did not know this, that I could make a difference by helping others. |
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Mari Mujica, Candy, from the series "Latina Immigrants," 2011, digital photograph. Jeraldin A. González (Candy), 28. Soy ama de casa. Me encanta platicar. Mi mayor sueno es aprender el inglés. Mi familia, tengo dos princesas una de ocho anos y otra de cinco y son mi mayor felicidad. Lo más difícil de ser una madre inmigrante es la diferencia de idioma, cultura que nuestros hijos reciben y es difícil comunicarse con ellas. Lo que me mas me gusta de vivir en este país es que los niños pueden tener mejores oportunidades gracias a saber dos idiomas. Es contradictorio pero lo que es difícil creo que es una oportunidad para ellos. Jeraldin A. González, 28. Housewife. Emigrated from San Miguel el Alto, Jalisco, México when I was 18. Something I love to do is to chat with friends. Mi dream is to learn English. My family, I have two princesses one who is eight and another who is five. They are the source of my happiness. The hardest thing about being an immigrant mother is the difference in language and the culture taught to our children, which makes it difficult for us to communicate with them. What I like the most about living in this country is that my children can have better opportunities since they are bilingual. |
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Mari Mujica, Para Ti Yo No Existo (For You I Don't Exist), from the series "Latina Immigrants," 2011, digital photograph. I'm a woman. I'm an immigrant like you I have dreams, but you don't see them because for you I don't exist. XXXXXX, 40
Algo que me encanta hacer es comer, caminar en el parque, y bailar. Lo más difícil de ser inmigrante es que tienes que trabajar el doble de duro para mostrar que eres capaz y que se puede depender de ti. Lo que más me gusta de vivir en este país es que aquí descubrí que soy una mujer fuerte, independiente, e inteligente. XXXXXX, 40
I love to eat, to walk in the park, and to dance. The hardest thing about being an immigrant woman is that you have to work twice as hard to show that you are capable and dependable. What I like the most about living in this country is that here I discovered the strong independent, and intelligent woman that I am. |
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Mary Carothers, The Butterfly Sanctuary, 2011, installation, still from video by Marcel Cabrera and Robin Burke, (2.5 minutes). |
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Mary Carothers, The Butterfly Sanctuary, 2011, detail from installation, Acu-stone castings, mesquite tree pods, hand cut paper. |
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Mary Carothers, At the End of the Tunnel, 2011, view of entryway of installation, hand cut paper. |
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Ambreen Butt, Artadia Awardee 2009 Boston Untitled (detail) (from the series "Dirty Pretty"), 2008, water-based pigments, white gouache, thread, and gold leaf on layers of Mylar and tea-stained paper, 28 x 20 inches, courtesy of Carroll and Sons, Boston |
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Theaster Gates, Artadia Awardee 2008 Chicago Temple Exercises, 2009, performance and installation at Museum of Contemporary Art, Chicago; courtesy Kavi Gupta Gallery Chicago | Berlin. |
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Karyn Olivier, Artadia Awardee 2004 Houston ACA Foods Free Library 2010–ongoing. In conjunction with the exhibition "Rockstone and Boothell: Contemporary West India Art," Real Art Ways, Hartford, CT. March |
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Miller & Shellabarger, Artadia Awardees 2008 Chicago Untitled (Graves) 2010 Time-Based Art performance festival Portland, Oregon Courtesy Western Exhibitions, Chicago |
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Miller & Shellabarger, Artadia Awardees 2008 Chicago Untitled (Pink Tube) begun in 2003 Courtesy Western Exhibitions, Chicago |
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Robyn O'Neil Artadia Awardee Houston 2003 These final hours embrace at last; this is our ending, this is our past (detail), graphite on paper, courtesy Susan Inglett Gallery, New York. 83" x 166 3/4" |
Memphis Symphony Orchestra supported by ArtsMemphis |
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The Wiz Hattiloo Theatre supported by ArtsMemphis |
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Ballet Memphis supported by ArtsMemphis |
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The Blues Foundation supported by ArtsMemphis |
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Voices of the South supported by ArtsMemphis |
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The Metal Museum supported by ArtsMemphis |
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Beale Street Caravan supported by ArtsMemphis |
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Linda Yamane, Ohlone basket, in collaboration with the Big Sur Land Trust. Supported by the Creative Work Fund, a program of the Walter and Elise Haas Fund, generously supported by The William and Flora Hewlett Foundation and The James Irvine Foundation. |
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Ricardo Richey. Supported by the Creative Work Fund, a program of the Walter and Elise Haas Fund, generously supported by The William and Flora Hewlett Foundation and The James Irvine Foundation, in collaboration with Intersection for the Arts. |
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Joti Singh with Ensambles Ballet Folklorico de San Francisco, Half and Halves. Supported by the Creative Work Fund, a program of the Walter and Elise Haas Fund, generously supported by The William and Flora Hewlett Foundation and The James Irvine Foundation. |
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Marcus Shelby with Yerba Buena Arts and Events, Harriet Tubman, Bound for the Promised Land, jazz oratorio. Supported by the Creative Work Fund, a program of the Walter and Elise Haas Fund, generously supported by The William and Flora Hewlett Foundation and The James Irvine Foundation. |
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Photo © Camilo Gonzalez, courtesy of Aurora Picture Show. Event #1 "Media Archeology 2011: E/X by Luke Savisky" #2 "Media Archeology 2010: The Joshua Light Show". |
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Photo © Lori Teague, CORE Performance Company, from Three. |
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Photo © James Wiseman, Dance of Asian America in Dance Houston. |
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Express Children's Theatre: Fall 2009 production of "Alice in Wonderland" featuring Vincent Victoria as "Rabba-Cat" |
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Photo © 2008 Daniel Sheehan danielsheehan.com Wayne Horvitz photographed at a sound check during the 2008 Earshot Jazz Festival, Seattle, Washington |
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Photo © 2009 Daniel Sheehan danielsheehan.com 2009 Earshot Jazz Festival, Seattle, Washington |
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Photo © 2008 Grantmakers in the Arts Freedom Singers perform at opening plenary of 2008 GIA conference, Arts and the New American City, Atlanta, Georgia. |
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Greer Grimsley as Wotan in the 2009 production of Die Walküre at Seattle Opera. Photo: Chris Bennion |
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Urban Bush Women in Walking with Pearl...Southern Diaries. Photo: Rose Eichenbaum. |
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Making Visible the Invisible, 2004 George Legrady Seattle Public Library, main branch, City of Seattle 1% for Art Collection Courtesy of Seattle Office of Arts & Cultural Affairs The installation consists of six large liquid crystal display (LCD) screens that run horizontally in a glass wall above a librarian reference desk. Three omputers power the six screens. Like a stock exchange ticker – but using Library data received each hour from the Information Technology department – four electronically animated "visualizations" float across the six screens. Each visualization lasts between one to six minutes. The second visualization is called "Floating Titles" and consists of the titles of books and other items patrons have checked out in the past hour. The titles enter the screens from the far right and slowly move toward the left until an entire hour's worth of materials have passed by. Book titles are red and DVDs, CDs and videos are green. Items checked out at the same time are close to each other. The vertical location of an item on the screen is determined by its Dewey Decimal number, with low Dewey Decimal numbers near the top and high Dewey Decimal numbers at the bottom. |
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Adjacent, Against, Upon, 1976 Michael Heizer City of Seattle 1% for Art Collection, Myrtle Edwards Park Courtesy of Seattle Office of Arts & Cultural Affairs Photo: Michael Heizer |
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Augriturismo, 2009 Allison Collins oil on canvas 16"x20" Photo: Ken Wagner Courtesy Foster White Gallery |
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Cascade Foothills, 2009 Allison Collins oil on canvas 30"x40" Photo: Ken Wagner Courtesy Foster White Gallery |
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Galukw'amhl (Mask of the Crooked Beak), ca. 1940 Red cedar, paint, red cedar bark, mahogany plywood, leather, cord Willie Seaweed (Hilamas) Kwakwaka'wakw, 'Nak'waxda'xw, Blunden Harbour, 1873-1967 33 7/8 x 11 x 9 1/2 in. (86 x 27.9 x 24.1 cm) Seattle Art Museum, Gift of John H. Hauberg, 91.1.1 |
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Naaxein (Chilkat robe), ca.1880 Mountain goat wool, yellow cedar bark, natural dyes Tlingit 66 15/16 x 51 9/16 in. (170 x 131cm) Seattle Art Museum, Gift of John H. Hauberg, 83.229 |
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Kente Cloth: (Mmaaban, "unity is strength") Cloth (strip weave), Ghanaian Asante W. 45 3/4 in. (194CM) L. 76 3/8 in. (116.2CM) Seattle Art Museum, Gift of Katherine White and the Boeing Company, 81.17.459 |
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Lionel Popkin performing There Is An Elephant In This Dance, 2009 photo: Carolina Kroon |
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Photo © 2008 Daniel Sheehan danielsheehan.com Toumani Diabaté performs at 2008 Earshot Jazz Festival, Seattle, Washington |
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Knotted Gun, 1998 Carl Fredrik Reuterswärd United Nationa Art Collection photo © Brad Calkins | Dreamstime.com |
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Graffiti at the Rhode Island Avenue shopping center in Washington, DC, 2009. Photo © Richard Gunion | Dreamstime.com |
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Weisman Art Museum, Minneapolis. MN. © Aliaksandr Nikitsin | Dreamstime.com |
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Photo © 2008, Grantmakers in the Arts Samina Quraeshi, keynote speaker at the 2008 GIA conference, Arts and the New American City, Atlanta, Georgia. |
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Photo © 2008 Grantmakers in the Arts Jeremy Nowak, keynote speaker at the 2008 GIA conference, Arts and the New American City, Atlanta, Georgia. Photo: Michael Reese |
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Photo © 2009 Grantmakers in the Arts Wynton Marsalis, keynote speaker at the 2009 GIA Conference, Navigating the Art of Change, Brooklyn, New York. Photo: Larry Brown |
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Photo © 2009 Grantmakers in the Arts GIA President, Vickie Benson at the 2009 GIA Conference, Navigating the Art of Change, Brooklyn, New York. Photo: Larry Brown |
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Photo © 2009 Grantmakers in the Arts Clifford Jones performing at the 2009 GIA Conference, Navigating the Art of Change, Brooklyn, New York. Photo: Larry Brown |
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Photo © 2007 Grantmakers in the Arts Taos Pueblo, New Mexico. Photo: Tommer Peterson |
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R. Hamilton Wright as George W. Bush in the A Contemporary Theater (ACT) Seattle, WA, 2007 production of Stuff Happens. |
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Photo ©iStockphoto.com/Francisco Romero |
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Newspaper rock State Historical Monument, Utah. © iStockphoto.com/Gary Whitton |