Following up his interview with Laura Zucker last week, Barry Hessenius continues with another “Exit Interview” featuring former GIA board chair Robert Booker. Bob is retiring after 40 years of service in the nonprofit arts field, having most recently served as executive director of the Arizona Commission on the Arts. He also served on the GIA board from 2010 to 2016.
In the latest issue of the GIA Reader, Caroline and Tony Grant of Sustainable Arts Foundation write about their efforts to examine and change its grantmaking practices with a racial equity lens. In 2016, the foundation announced its commitment to award at least half of its grants to artists of color. Read “I Once Was Blind: Acknowledging Race in Granting to Individuals.”
The National Endowment for the Arts has released a State of the Field: A Report from the Documentary Sustainability Summit. Released in partnership with the International Documentary Association (IDA), this report explores issues facing the documentary film community, with a goal of articulating tangible, actionable strategies and initiatives to positively impact the field and contribute to a sustainable and healthy ecosystem for documentary professionals.
To explore ways in which arts service organizations (ASOs) can help alleviate the compound problems affecting arts journalism, the Association of Performing Arts Service Organizations (APASO) held a working session entitled: “Arts Service Organizations and Arts Journalists: Working Together.” Journalists and media experts worked with over twenty-five arts service organizations to crowdsource viable ideas to help fill the void in arts journalism.
This week on his blog, Barry Hessenius published an “Exit Interview” with GIA board member Laura Zucker, who ended her 25-year tenure as executive director of Los Angeles County Arts Commission on July 31. In the interview, Zucker reflects on the state of the field and the strategies that supported successful initiatives and programs under her tenure – research, arts education, arts advocacy, and more.
In the latest issue of the GIA Reader, Amy Stolls of the NEA introduces The Literary Network, or LitNet, a newly reimagined national coalition of nonprofit literary organizations aiming to support the literary field’s unique needs and challenges. Read “A New Literature Network.”
GIA board member Jaime Dempsey has been honored with the 2017 Emerging Leader Award from the Center for the Future of Arizona in recognition of her work as a public servant. Dempsey will become the executive director of the Arizona Commission on the Arts in August 2017 after serving eleven years as deputy director.
The Vermont Arts Council has announced that Karen S. Mittelman, PhD, has accepted the position of executive director for the state arts agency. Mittelman is currently director of the Division of Public Programs at the National Endowment for the Humanities (NEH) in Washington, DC. She brings to the Vermont Arts Council more than thirty years of experience in the public sector and the federal cultural arena. In addition to the NEH, Mittelman held a senior position at the National Museum of American Jewish History in Philadelphia and served as curator at the Smithsonian Institution in Washington.
Grantmakers in the Arts is pleased to announce the release of new research on the formula-based funding practices of public arts funders and united arts funds. Through interviews with sixteen leaders of public arts funders and united arts funds, Recalculating the Formula for Success documents the new ways that these funders are approaching their work, rethinking longtime practices, and adapting to changing environments.
From The Architect's Newspaper:
Funding will come from the mayor’s office, with an additional $5 million from City Council to be allocated. The majority of it will go towards less prominent arts groups—especially those that lay outside of Manhattan. Approximately $1.5 million will be directed towards increasing support for low-income communities and underrepresented groups, while $4.5 million will be used to support the Cultural Institutions Group (CIG) in low-income communities.