GIA Reader, Vol 12, No 3 (Fall 2001)

On the Cover:
The ensho (circle painting) is as challenging as it is ambiguous. Rendered with delicate balance of control and spontaneity, it is said at once to represent complete emptiness as well as encompass the entire universe—nothing and everything. Others have described it as a representation of the moment of transformation, when samsara, the world of suffering, becomes nirvana, the world of enlightenment.

Articles shown in gray are not yet available online, but are available in the
print edition. Contact GIA to order copies of the Reader.

Contents of Grantmakers in the Arts Reader: Volume 12, No. 3, (Fall 2001)

Readings

Member Reports

Digest: Studies, Books, Web Sites, and Other Publications