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GIA Reader, Vol 12, No 3 (Fall 2001)
On the Cover:
The ensho (circle painting) is as challenging as it is ambiguous. Rendered with delicate balance of control and spontaneity, it is said at once to represent complete emptiness as well as encompass the entire universe—nothing and everything. Others have described it as a representation of the moment of transformation, when samsara, the world of suffering, becomes nirvana, the world of enlightenment.
The ensho (circle painting) is as challenging as it is ambiguous. Rendered with delicate balance of control and spontaneity, it is said at once to represent complete emptiness as well as encompass the entire universe—nothing and everything. Others have described it as a representation of the moment of transformation, when samsara, the world of suffering, becomes nirvana, the world of enlightenment.
Articles shown in gray are not yet available online, but are available in the
print edition. Contact GIA to order copies of the Reader.
Contents of Grantmakers in the Arts Reader: Volume 12, No. 3, (Fall 2001)
Readings
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Zen meditation and the artistic impulse
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Implementing Cultural Participation and Arts Marketing Programs
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Reflections on the impact of growth on the financial health of arts organizations
Member Reports
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Cultural Development Plan for the State of Oregon
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A Cleveland Area Presentation
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Private Support for the Folk and Traditional Arts
Digest: Studies, Books, Web Sites, and Other Publications
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Final Report
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Los Angeles Countywide Arts Education Survey
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The Art of Cultural Development
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Moving Culture to the Center of International Public Policy
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Fifty Years of the Laidlaw Foundation
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How Information Technology Will Change the Ways Nonprofits and Foundations Work and Thrive in the Information Age
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Marketing American Culture
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Cultural property and patrimony disputes in an age without borders