Adrian Ellis

Adrian Ellis

March 3, 2014 by giarts-ts-admin

Success Looks Different Now: Design and Cultural Vitality in Lower Manhattan is a fluently argued report published in June 2013 by the Architectural League of New York about cultural infrastructure needs in Lower Manhattan.

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September 15, 2013 by giarts-ts-admin

This is part of the special section, Experience as Research.

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August 31, 2007 by giarts-ts-admin
Last year AEA Consulting developed the working paper “Critical Issues Facing the Arts in California” for the James Irvine Foundation. Since its release, the report has generated extensive conversations and responses, both within and beyond California. GIA invited Adrian Ellis, principal of AEA Consulting, to offer further thoughts on the current state of the arts in the United States.
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June 30, 2006 by giarts-ts-admin

It is very unusual for any urban renewal plan not to include reference to the role that arts organizations and arts buildings can potentially play in regeneration. Most recently, in Hurricane Katrina's wake, both have figured prominently in discussions about the future of New Orleans and Biloxi. But the discussions about arts organizations and those about arts buildings are curiously and uncomfortably divorced.

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July 31, 2005 by giarts-ts-admin

The fall 2002 issue of the Reader (volume 13, number 3) introduced an ongoing feature, "Why Art?" as a response to GIA's goal to strengthen the role of arts and culture in philanthropy and in society as a whole. This Reader feature aims to help members and others make stronger arguments for the support of arts and culture by sharing examples of arguments, case statements, insights, and stories that convey the multifaceted role that culture, the arts, and artists play in our society, neighborhoods, and individual lives.

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August 31, 2001 by giarts-ts-admin

Last month I was signed up by a colleague to give a lecture to a class of graduate students at New York University studying arts management, all of whom were intending to pursue careers as managers and administrators in cultural institutions, and most of whom already had some experience in line management under their belts. My session was slotted into the finance elective.

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